Richard Steele: Edited, with an Introduction and Notes by G. A. AitkenSteele, Richard, Sir
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Richard Steele: Edited, with an Introduction and Notes by G. A. Aitken
Steele, Richard, Sir
English drama (Comedy); Steele, Richard, Sir, 1672-1729
Steele's third play, _The Tender Husband: or, the Accomplished Fools, a
Comedy_, was given to Rich, of the Theatre Royal, in March, 1705, and
was produced on April 23, when it ran for five nights, "with several
entertainments of singing by Mrs. Tofts, and dancing"; and again in May
and June. The profits were but small. The play was published by Tonson
on the 9th of May. It was acted several times nearly every year between
1705 and 1736, and occasionally afterwards. In 1760, Garrick appeared
as Sir Harry Gubbin, and in 1802, Charles Kemble and Mrs. Jordan
acted in the piece. Mills (Clerimont, Sen.), Wilks (Capt. Clerimont),
Estcourt (Pounce), Bullock (Sir Harry Gubbin), Pinkethman (Humphry
Gubbin), Norris (Tipkin), Mrs. Powell (Aunt), and Mrs. Oldfield
(Niece), were in the original cast. Steele was indebted for some ideas
in the fourth Act to Molière's _Sicilien: ou, l'Amour Peintre_, and
possibly to Cibber's _Careless Husband_, which had recently appeared.
In No. 555 of the _Spectator_ he said that "many applauded strokes" in
the piece were from Addison's hand. Fielding, Goldsmith, and Sheridan
had Steele's play in view when they created the characters of Squire
Western, Tony Lumpkin, and Lydia Languish. The phrase "accomplished
fools" had been used by Steele in the _Lying Lover_ (p. 148).
_To_
MR. ADDISON.[78]
SIR,
You'll be surprised, in the midst of a daily and familiar conversation,
with an address which bears so distant an air as a public dedication.
But to put you out of the pain which I know this will give you, I
assure you I do not design in it, what would be very needless, a
panegyric on yourself, or what, perhaps, is very necessary, a defence
of the play. In the one I should discover too much the concern of an
author, in the other too little the freedom of a friend.
My purpose in this application is only to show the esteem I have for
you, and that I look upon my intimacy with you as one of the most
valuable enjoyments of my life. At the same time I hope I make the
Town no ill compliment for their kind acceptance of this Comedy, in
acknowledging that it has so far raised my opinion of it, as to make me
think it no improper memorial of an inviolable friendship.
I should not offer it to you as such, had I not been very careful to
avoid everything that might look ill-natured, immoral, or prejudicial
to what the better part of mankind hold sacred and honourable.
Poetry, under such restraints, is an obliging service to human society;
especially when it is used, like your admirable vein, to recommend more
useful qualities in yourself, or immortalise characters truly heroic in
others. I am here in danger of breaking my promise to you, therefore
shall take the only opportunity that can offer itself of resisting my
own inclinations, by complying with yours. I am,
SIR,
Your most faithful,
Humble Servant,
RICHARD STEELE.
PROLOGUE.
_Written by_ MR. ADDISON.
_Spoken by_ MR. WILKS.[79]
Public-domain text, read in full here on John Shaqi.
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