Richard Steele: Edited, with an Introduction and Notes by G. A. AitkenSteele, Richard, Sir
General
Richard Steele: Edited, with an Introduction and Notes by G. A. Aitken
Steele, Richard, Sir
English drama (Comedy); Steele, Richard, Sir, 1672-1729
Thus your Grace entered into the business of the world with so great
an expectation, that it seemed impossible there could be anything left
which might still conduce to the honour of your name. But the most
memorable advantage your country has gained this century was obtained
under your command; and Providence thought fit to give the wealth of
the Indies into his hands, who only could despise it; while, with
a superior generosity, he knows no reward but in opportunities of
bestowing. The great personage whom you succeed in your honours, made
me feel, before I was sensible of the benefit, that this glorious bent
of mind is hereditary to you. I hope, therefore, you will pardon me,
that I take the liberty of expressing my veneration for his remains, by
assuring your Grace that I am,
My Lord,
Your Grace's most obedient
And most devoted
Humble Servant,
RICHARD STEELE.
THE PREFACE.
Though it ought to be the care of all Governments that public
representations should have nothing in them but what is agreeable to
the manners, laws, religion, and policy of the place or nation in which
they are exhibited; yet is it the general complaint of the more learned
and virtuous amongst us, that the English stage has extremely offended
in this kind. I thought, therefore, it would be an honest ambition
to attempt a Comedy which might be no improper entertainment in a
Christian commonwealth.
In order to this, the spark of this play is introduced with as much
agility and life as he brought with him from France, and as much humour
as I could bestow upon him in England. But he uses the advantages of a
learned education, a ready fancy, and a liberal fortune, without the
circumspection and good sense which should always attend the pleasures
of a gentleman; that is to say, a reasonable creature.
Thus he makes false love, gets drunk, and kills his man; but in the
fifth Act awakes from his debauch, with the compunction and remorse
which is suitable to a man's finding himself in a gaol for the death of
his friend, without his knowing why.
The anguish he there expresses, and the mutual sorrow between an only
child and a tender father in that distress, are, perhaps, an injury
to the rules of comedy, but I am sure they are a justice to those of
morality. And passages of such a nature being so frequently applauded
on the stage, it is high time that we should no longer draw occasions
of mirth from those images which the religion of our country tells us
we ought to tremble at with horror.
But her Most Excellent Majesty has taken the stage into her
consideration;[41] and we may hope, by her gracious influence on
the Muses, wit will recover from its apostasy; and that, by being
encouraged in the interests of virtue, it will strip vice of the gay
habit in which it has too long appeared, and clothe it in its native
dress of shame, contempt, and dishonour.
PROLOGUE.
Public-domain text, read in full here on John Shaqi.
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