The next period of Wagner's life, from the date of finishing
_Tristan_, 1859, till King Ludwig sent for him, 1864, was stormy. The
struggles and endless disappointments made of him the somewhat hard
and embittered Wagner of later years. The constant battles, the few
victories and the many disappointments must be related in my next
chapter, as it is simpler and easier for the author, if not the
reader, to consider the _Mastersingers of Nuremberg_ immediately after
_Tristan_. A few facts may be mentioned now to enable us to place the
second opera in its true chronological order. The _Nibelung's Ring_
was still in abeyance; _Tristan_ finished, Wagner, in search of means
of subsistence--the patience and indeed the means of his friends fast
giving out--undertook a series of concert trips, going to Brussels,
Paris, St. Petersburg, Moscow, Marienfeld, Leipzig and Vienna. In 1861
his last hopes of a Paris success with _Tannhäuser_ were extinguished;
his concerts up till then had resulted only in an increasing burden of
debt; his domestic existence was unendurable; things were as bad as
bad could be. So he sat down and wrote his only comedy. It was not a
simple case of "tasks in hours of insight willed can be through hours
of gloom fulfilled." The _Mastersingers_ had been sketched, as we
know, in 1845; but the new work was a change, in that he created the
character of Hans Sachs afresh, and the opera became an entirely
different thing. He himself gave an account of the joy with which he
worked at it, incidentally proving the truth of his assertion that he
was a "wholly [creative] artist." He was not built to be happy in the
outer world, but in his world of art he was content; in the outer
world he might have an hour of felicity and months of misery, but
given a chance of settling down for a while to his operas he at once
became and remained cheerful. Fate did not will that in the case of
the _Mastersingers_ his contentment should endure any length of time.
No sooner was his text written than he had to set out on his travels
again, hunting his daily food from land to land. It was not until 1862
that he began the music; not until 1867 did he get it finished, and in
the interval many things tragic and other, had occurred. These, I say,
will occupy us presently.
Public-domain text, read in full here on John Shaqi.
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