However, Wagner settled peacefully at Triebschen, and remained there until the Bayreuth idea took solid and visible shape. He completed the _Mastersingers_ and _Siegfried_, and made progress with the _Dusk of the Gods_. When Minna died in 1868 he immediately married Cosima. The idea of what ultimately became Bayreuth took shape. Bayreuth was first thought of for a very prosaic reason. The town theatre at that time possessed the largest stage in Germany, and in many respects was far ahead of every other German theatre, and this drew the attention of Wagner and his friends to the spot. Various causes combined to make the idea of giving the first performances of the _Ring_ in this theatre an utter impracticability, and Wagner reverted to his old pet idea of building a theatre for himself. An eminent architect, Gottfried Semper, cheerfully helped at planning a building which should unite the utmost artistic usefulness with the smallest possible expense. The house is long out-of-date, but in the 'seventies it seemed a marvel. The seats were so arranged that every one commanded, theoretically, the same view of the stage; the stage was fitted with the most modern machinery, lights and so on. The orchestra was sunk, so that the movements of the conductor and his fiddlers should not distract the attention of the audience; the auditorium was darkened, so that everything happening on the stage could be seen with the greatest possible clearness. When the good burghers of a decaying mediæval town found what was going to happen to them they rejoiced, for they foresaw invasions of millions of aliens who would not hurt them but would pay out handsomely, and renew the days of the town's prosperity. Sites were granted free of cost, both for Wagner's own house--Villa Wahnfried--and the Festival Theatre. When the foundation of the latter was laid, brass bands and processions took an important part in the proceedings.