Richelieu: A Tale of France, v. 1/3James, G. P. R. (George Payne Rainsford)
General
Richelieu: A Tale of France, v. 1/3
James, G. P. R. (George Payne Rainsford)
Richelieu, Armand Jean du Plessis, duc de, 1585-1642 -- Fiction
The right wing of the first court was principally occupied by that
beautiful Theatre, so strongly connected with every classic remembrance
of the French stage, in which the first tragedies of Rotrou and
Corneille were produced,--in which many of the inimitable comedies of
Molière were first given to the world, and in which he himself acted
till his death.
In the wing immediately opposite, was the Chapel, built in the Ionic
order, and ornamented in that pure and simple manner which none knew
better how to value than the Cardinal de Richelieu.
The two courts were divided from each other by a massive pile of
building, containing the grand saloon, the audience-chamber, and the
cabinet of the high council. On the ground-floor was the banqueting-room
and its antechamber; and a great part of the building fronting the
gardens was occupied by the famous gallery of portraits, which Richelieu
had taken care should comprise the best pictures that could be procured
of all the greatest characters in French history.
The rest of the Palace was filled with various suites of apartments,
generally decorated and furnished in the most sumptuous manner. Great
part of these the Cardinal reserved either for public entertainments, or
for his own private use; but what remained was nevertheless fully large
enough to contain that host of officers and attendants by which he was
usually surrounded.
On the evening in question almost every part of that immense building
was thrown open to receive the multitude that interest and fear gathered
round the powerful and vindictive Minister. Almost all that was gay,
almost all that was beautiful, had been assembled there. All to whom
wealth gave something to secure--all to whom rank gave something to
maintain--all whom wit rendered anxious for distinction--all whom talent
prompted to ambition. Equally those that Richelieu feared or loved,
hated or admired, were brought there by some means, and for some reason.
The scene which met the eyes of De Blenau and Chavigni, as they ascended
the grand staircase and entered the saloon, can only be qualified by the
word princely. The blaze of jewels, the glare of innumerable lights, the
splendid dresses of the guests, and the magnificent decorations of the
apartments themselves, all harmonized together, and formed a
_coup-d'oeil_ of surpassing brilliancy.
The rooms were full, but not crowded; for there were attendants
stationed in various parts for the purpose of requesting the visitors
to proceed, whenever they observed too many collected in one spot. Yet
care was taken that those who were thus treated with scant ceremony
should be of the inferior class admitted to the Cardinal's fête. Each
officer of the Minister's household was well instructed to know the just
value of every guest, and how far he was to be courted, either for his
mind or influence.
Public-domain text, read in full here on John Shaqi.
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