Richelieu: A Tale of France, v. 1/3James, G. P. R. (George Payne Rainsford)
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Richelieu: A Tale of France, v. 1/3
James, G. P. R. (George Payne Rainsford)
Richelieu, Armand Jean du Plessis, duc de, 1585-1642 -- Fiction
De Blenau's own feelings were not of the most comfortable nature; but on
looking round the room, he guessed, from the faces of all those with
whom it was tenanted, that such sensations were but too common there.
One had placed himself at a window, and gazed upon the stones of the
court-yard with as much earnestness as if they had inspired him with the
deepest interest. Another walked up and down his own corner with
irregular steps and downcast look. Another leaned back in his seat, with
his chin resting on his breast, and regarded intently a door in the
other side of the saloon. And another sat bending his hat into so many
shapes, that he left it, in the end, of no shape at all. But all were
marked, by the knitted brow and anxious eye, for men whose fate was
hanging on the breath of another.
There was nothing consolatory in their looks, and De Blenau turned to
the portraits which covered the walls of the saloon. The first that his
eye fell upon was that of the famous Montmorency. He was represented as
armed in steel, with the head uncovered; and from his apparent age it
seemed that the picture had not been painted long before the unfortunate
conspiracy, which, by its failure, brought him to the scaffold. There
was also an expression of grave sadness in the countenance, as if he had
presaged his approaching fate. De Blenau turned to another; but it so
happened that each picture in the room represented some one of the many
whom Richelieu's unsparing vengeance had overtaken. Whether they were
placed in that waiting-room in order to overawe those whom the Minister
wished to intimidate; or whether it was that the famous gallery, which
the Cardinal had filled with portraits of all the principal historical
characters of France, would contain no more, and that in consequence the
pictures of the later dates had been placed in this saloon, without any
deeper intent, matters not; but at all events they offered no very
pleasant subject of contemplation.
De Blenau, however, was not long kept in suspense; for, in a few
minutes, the door on the other side of the room opened, and the Swedish
Ambassador passed out. The door shut behind him, but in a moment after
an attendant entered, and although several others had been waiting
before him, De Blenau was the first summoned to the presence of the
Cardinal.
Public-domain text, read in full here on John Shaqi.
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