Richelieu: A Tale of France, v. 3/3James, G. P. R. (George Payne Rainsford)
General
Richelieu: A Tale of France, v. 3/3
James, G. P. R. (George Payne Rainsford)
Richelieu, Armand Jean du Plessis, duc de, 1585-1642 -- Fiction
As they proceeded on their way towards the gates of the Park, a figure
presented itself, which, from its singularity, was worthy of notice. It
was that of a tall, thin raw-boned man, who, naturally possessing a
countenance of the ugliest cast of Italian ugliness, had rendered it
still more disagreeable by the enormous length of his mustaches, which
would have far overtopped his nose, had it been a nose of any ordinary
proportion; but a more extensive pear-shaped, ill-adapted organ never
projected from a human countenance; and this, together with a pair of
small, flaming black eyes, which it seemed to bear forward with it above
the rest of the face, protruding from a mass of beard and hair,
instantly reminding the beholder of a badger looking out of a hole. The
chin, however, bore no proportion to the nose, and seemed rather to
slink away from it in an oblique direction, apparently overawed by its
more ambitious neighbour.
The dress of this delectable personage was a medley of the French and
Flemish costumes. He wore a grey vest of silk, with sleeves slashed at
the elbow, and the shirt, which was not conspicuously clean, buttoned at
the wrist with agate studs. His _haut de chausse_, which was of deep
crimson, and bore loops and ribbons of yellow, was fringed round the
leg, near the knees, with a series of brazen tags or points but
indifferently silvered; and as he walked along with huge steps, these
aforesaid tags clattered together with a sort of important sound, which,
put in combination with the rest of his appearance, drew many a laugh
from the boys of St. Germain's. Over his grey vest was drawn a
straight-cut doublet of yellow silk, without sleeves; and a pair of long
boots, of untanned leather, covered all defects which might otherwise
have been apparent in his hose. His dress was completed by a tawdry
bonnet with a high black plume: and a Toledo blade of immeasurable
length, with a worked iron hilt and black scabbard, hung by his side,
describing with its point various strange figures on the dust of the
road.
"Here comes Villa Grande, the Italian lute-player," exclaimed Cinq Mars
the moment he saw him. "Do you know him, De Blenau?"
"I have heard him play on his instrument and sing at your house,"
replied De Blenau; "and from his language that night, may say I know him
through and through, for a boasting coxcomb, with as much courage as the
sheath of a rapier,--which looks as good as a rapier itself till it is
touched, and then it proves all emptiness. Mind you how he boasted of
having routed whole squadrons when he served in the Italian horse? and I
dare say he would run from a stuffed pikeman in an old hall."
Public-domain text, read in full here on John Shaqi.
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