Latter Day Saint women -- Fiction; Polygamy -- Fiction; Utah -- Fiction; Western stories; Women ranchers -- Fiction
Nothing was farther from Venters’s mind than bravado. No thought came
to him of the defiance and boldness of riding Jane Withersteen’s racers
straight into the arch-plotter’s stronghold. He wanted men to see the
famous Arabians; he wanted men to see them dirty and dusty, bearing all
the signs of having been driven to their limit; he wanted men to see
and to know that the thieves who had ridden them out into the sage had
not ridden them back. Venters had come for that and for more—he wanted
to meet Tull face to face; if not Tull, then Dyer; if not Dyer, then
anyone in the secret of these master conspirators. Such was Venters’s
passion. The meeting with the rustlers, the unprovoked attack upon him,
the spilling of blood, the recognition of Jerry Card and the horses,
the race, and that last plunge of mad Wrangle—all these things, fuel on
fuel to the smoldering fire, had kindled and swelled and leaped into
living flame. He could have shot Dyer in the midst of his religious
services at the altar; he could have killed Tull in front of wives and
babes.
He walked the three racers down the broad, green-bordered village road.
He heard the murmur of running water from Amber Spring. Bitter waters
for Jane Withersteen! Men and women stopped to gaze at him and the
horses. All knew him; all knew the blacks and the bay. As well as if it
had been spoken, Venters read in the faces of men the intelligence that
Jane Withersteen’s Arabians had been known to have been stolen. Venters
reined in and halted before Dyer’s residence. It was a low, long, stone
structure resembling Withersteen House. The spacious front yard was
green and luxuriant with grass and flowers; gravel walks led to the
huge porch; a well-trimmed hedge of purple sage separated the yard from
the church grounds; birds sang in the trees; water flowed musically
along the walks; and there were glad, careless shouts of children. For
Venters the beauty of this home, and the serenity and its apparent
happiness, all turned red and black. For Venters a shade overspread the
lawn, the flowers, the old vine-clad stone house. In the music of the
singing birds, in the murmur of the running water, he heard an ominous
sound. Quiet beauty—sweet music—innocent laughter! By what monstrous
abortion of fate did these abide in the shadow of Dyer?
Venters rode on and stopped before Tull’s cottage. Women stared at him
with white faces and then flew from the porch. Tull himself appeared at
the door, bent low, craning his neck. His dark face flashed out of
sight; the door banged; a heavy bar dropped with a hollow sound.
Public-domain text, read in full here on John Shaqi.
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