But she was a music-hungry little soul, and that night after she was
sure that the children had ridden up over the basin's brim and were
out of hearing, Mary Hope sat down and began to play. When she began
to play she began to cry, though she was hardly conscious of her
tears. She seemed to hear Lance Lorrigan again, saying, "Don't be
lonely, you girl. Take the little pleasant things that come--" She
wondered, in a whispery, heart-achey way, if he had meant the piano
when he said that. If he had meant--just a piano, and a lot of books
for school!
The next thing that she realized was that the light was growing dim,
and that her throat was aching, and that she was playing over and over
a lovesong that had the refrain:
"Come back to me, sweetheart, and love me as before--
Come back to me, sweetheart, and leave me nevermore!"
Which was perfectly imbecile, a song she had always hated because of
its sickly sentimentality. She had no sweetheart, and having none, she
certainly did not want him back. But she admitted that there was a
certain melodious swing to the tune, and that her fingers had probably
strayed into the rhythm of it while she was thinking of something
totally different.
The next day she played a little at noontime for the children, and
when school was over she played for two hours. And the next day after
that slipped away--she really had meant to ride over to the AJ, or
send a note by the children, asking Jim Boyle if he could please
remove the piano and saying that she felt it was too expensive a gift
for the school to accept from the Lorrigans.
On the third day she really did send a prim little note to Jim Boyle,
and she received a laconic reply, wholly characteristic of the Black
Rim's attitude toward the Devil's Tooth outfit.
"Take all you can git and git all you can without going to jale.
That's what the Lorrigans are doing, Yrs truly,
"J. A. Boyle."
It was useless to ask her father. She had known that all along. When
Alexander Douglas slipped the collars up on the necks of his horses,
he must see where money would be gained from the labor. And there was
no money for the Douglas pocket in hauling a piano down the Devil's
Tooth Ridge.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account