Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
In Burgon’s life of Sir Thomas Gresham, the merchant prince of Queen
Elizabeth’s time and founder of the Royal Exchange, we are shown his
wedding ring. This is a gimmal ring composed of two hoops, one bearing
the inscription “Quod Deus conjunxit” (What God hath joined together)
and the other: “Homo non separet” (Let not man put asunder).[381] The
two hoops are set with a red and a white stone, respectively.
A curious development of the gimmal-ring was the so-called
“puzzle-ring” consisting of pieces of gold wire ingeniously bent and
intertwined so that they appeared to form a single indivisible ring,
although by a certain clever twist they could easily be separated into
several independent hoops. This type was derived from the East.
On a gimmal ring belonging to the first half of the fifteenth century,
in the Londesborough Collection, is an engraved head of Lucretia;
at the back appear two hands clasped. This type seems to have been
common in Shakespeare’s time, for in Twelfth Night (Act II, sc. 5),
Malvolio exclaims, after examining the seal on a letter: “By your
leave, wax. Soft!--and the impressure her Lucrece with which she uses
to seal.”[382] The choice of this image for a betrothal ring must have
been intended either as a tribute to the lady’s chastity, or else as a
kind of amulet to protect her from attacks on her virtue.
[Illustration: Gimmal ring, open
Edward’s “History and Poetry of Finger Rings”]
[Illustration:
Silver betrothal ring; two views. On the shoulder appears the
legend: “God Help.” English, Fifteenth Century
British Museum]
[Illustration:
Gold puzzle rings. 1, three hoops, cruciform bezel: 2, with four
hoops. Two views of each, closed and open. Seventeenth Century
British Museum]
[Illustration:
Curious old posy ring. The motto is to be read: Our _hands_
and _hearts_ with one consent, Hath tied this _knot_
till _death_ prevent
British Museum]
[Illustration: Wedding rings with “posies.” English, Seventeenth
Century
Fairholt’s “Rambles of an Artist”]
[Illustration: Two Gimmal rings, one double, the other triple.
Betrothal or wedding rings
Fairholt’s “Rambles of an Artist”]
Public-domain text, read in full here on John Shaqi.
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