Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
Of all the marriage-medals that have been struck none can be said to
equal in beauty of design and tenderness of sentiment that designed in
1895 by the great French medallist Oscar Roty (1846–1911). The obverse
shows the bridegroom about to place the wedding-ring on the bride’s
hand, but in the very act of doing so, he is impelled to look upward,
as though calling for Heaven’s blessing upon his marriage. The girlish
bride has her head slightly bent down in token of assent. The scene is
in the open country; the figures are seated opposite to one another on
plain stone seats, and the landscape background is Rafaelesque in its
delicate beauty. Beneath, in the exergue, is the single word “Semper,”
an earnest that the solemn contract so gladly and so religiously
entered into will be kept for this world and for the great future.
The reverse shows a statue of Cupid on a fountain pedestal; alongside
rises the trunk of a sturdy oak. On the right is ample space for a
dedicatory inscription. The companion-piece, Roty’s second marriage
medal, executed ten or more years later, although a noble work, falls
something short of his first effort. Here the bridegroom, who displays
no ring, kneels before the bride with uplifted head, the French
motto reading “A Elle Toujours” (“Forever Hers”); on the reverse is
a church altar. Under this is a plaque, enclosing which are roses,
oak-leaves and acorns.
[Illustration: MARRIAGE MEDALS BY THE GREAT FRENCH MEDALLIST,
OSCAR ROTY (1846–1911)
The upper medal shows the putting on of the wedding ring]
[Illustration: BETROTHAL RING OF GOLD IN FORM OF SO-CALLED
“PUZZLE RING”
Six connecting hoops, three of them enameled, two others with
clasped hands, and the sixth with a key and a winged angel’s
head. Seventeenth Century.
Albert Figdor Collection, Vienna]
[Illustration: BETROTHAL RING OF GOLD
Inscribed in Old French “_Il est dit_” and “_Elle me
tien_” (literally “It is said (spoken)” and “She (or it) holds
me”). French. Fifteenth Century.
Albert Figdor Collection, Vienna]
[Illustration: LOVE RING OF GOLD, ENAMELED AND SET WITH PRECIOUS
STONES
The bezel has a lid on which is enameled a head wearing a domino
mask; it is framed by seventeen rubies. When the lid is raised
there appears beneath an oval, enameled with a heart, around
which is the motto: “_Pour vous seule_” (For you alone). The
interior of the lid is hollowed out to serve as a receptacle for
hair. On the ribbon-like hoop is the inscription: “_Sous le
masque la vérité_” (Beneath the mask is truth). About 1800.
Formerly belonged to the great Viennese tragic actress Charlotte
Wolter.]
Public-domain text, read in full here on John Shaqi.
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