Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
[126] De Laborde, “Notice des émaux du Musée du Louvre,” 2d Part,
“Documents et Glossaire,” p. 131, s. v. Anel.
[127] Cyril Davenport, “Jewellery,” Chicago, 1908, p. 118.
[128] William Jones, “Finger-Ring Lore,” London, 1877, pp. 487, 488.
[129] T. N. Mukharji, “Art Manufactures of India,” Calcutta, 1888, pp.
105–107.
[130] T. N. Mukharji, “Art Manufactures of India,” pp. 124–128,
Calcutta, 1888.
[131] O. M. Dalton, “Franks Bequest, Catalogue of the Finger Rings,
Early Christian, Byzantine, Teutonic, Mediæval, and Later [British
Museum],” London, 1912, p. 247, fig.
[132] Col. T. H. Hendley, “Indian Jewellery,” Journal of Indian Art and
Industry, vol. xii, pp. 4, 5; 1907–1909. Figs. on plates 6, 7, 8, 15,
18.
[133] _Ibid._, p. 103.
[134] Communicated by Dr. Berthold Laufer, Curator of Anthropology,
Field Museum of Natural History, Chicago.
[135] Communicated by Mr. F. W. Partridge, through Mr. Walter C. Wyman.
[136] O. M. Dalton, “Franks Bequest: Catalogue of the Finger Rings,
Early Christian, Byzantine, Teutonic, Mediæval and Later [British
Museum],” London, 1912, p. 336, No. 2422, Pl. xxx.
[137] Communicated by Dr. T. Wada, of Tokio.
[138] Hiram Bingham, “The Story of Machu Picchu,” in The National
Geographic Magazine, February, 1915, pp. 172–217.
[139] Communicated by Prof. Frederick Starr, of the University of
Chicago.
[140] Charles Edwards, “The History and Poetry of Finger-Rings,” New
York, 1885, pp. 42–44; quoting from Gleason’s Pictorial Newspaper,
December 25, 1852.
[141] Communicated by Dr. Leonard J. Spencer, Curator of the Department
of Mineralogy, British Museum (Nat. Hist.).
[142] Figured in _Journal der Goldschmiede Kunst_, 30 Jahrg., No.
27, Leipzig, July 3, 1909, p. 220.
[143] See also p. 353 of the present work.
[144] Communicated by L. Weininger, of Vienna.
[145] O. M. Dalton, “Catalogue of Finger Rings, Early Christian,
Byzantine, Teutonic, Mediæval and Later [British Museum],” London,
1912, p. 243, No. 1700, Plate xxiii.
[146] Sir Charles Hercules Read, “The Waddesdon Bequest: Catalogue of
the Works of Art Bequeathed to the British Museum by Baron Ferdinand
Rothschild, M.P.,” 1898; London, 1902, p. 94.
[147] O. M. Dalton, “Catalogue of the Finger Rings, Early Christian,
Byzantine, Teutonic, Mediæval, and Later [British Museum],” London,
1912, p. 87, No. 571, fig.
[148] Communicated by L. Weininger, of Vienna.
[149] The Cleveland Museum of Art, Catalogue of the Inaugural
Exhibition, June 6 to September 20, 1916, Cleveland, 1916, p. 68, No.
109.
[150] Frederick William Fairholt, “Rambles of an Artist,” London, n.
d., p. 77, fig. 88. A later edition of this book, dated 1871, bears the
title, “Rambles of an Archæologist.”
[151] From the collection of W. Gedney Beatty, New York City.
[152] “Les bagues des tranchées,” _L’Illustration_, July 3, 1915,
p. 20, with cuts showing soldiers at work and specimens of their rings.
Public-domain text, read in full here on John Shaqi.
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