Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
[368] Jean Szendrei, “Catalogue de la collection de bagues de Madame
Gustave de Tarnóczy,” Paris, 1889, p. xlviii.
[369] Barbier de Montault, “Un anneau du XVe siècle,” Tours, 1876, pp.
14–17. For additional “posies” see pp. at end of this chapter.
[370] Shown in Fairholt’s “Rambles of an Artist,” p. 127, figs. 152,
153.
[371] _Ibid._, p. 128, fig. 154.
[372] Kircheri, “Œdipus Ægyptiacus,” Romæ, 1652, vol. i, p. 283.
[373] Jewish Encyclopædia, vol. x, art. Rings by Albert Wolf, of
Dresden, Saxony.
[374] “Catalogue of the Special Exhibition of Works of Art at the
South Kensington Museum, June, 1862,” section 32, “Rings,” by Edmund
Waterton, pp. 630, 631.
[375] See Gregorovius, “Lucrezia Borgia,” pp. 375, 376, of Ital.
translation.
[376] Robert de Berquen, “Les Merveilles des Indes Orientales et
Occidentales,” Paris, 1661, pp. 14, 15. Robert de Berquen writes of
Louis (Lodowyk) as “one of his ancestors.”
[377] Alfred Maury, “Croyances et Legendes du Moyen Age,” Paris, 1896,
p. 277, note.
[378] Fairholt, “Rambles of an Artist,” p. 128, fig. 155. The
authenticity of the ring may be regarded as somewhat doubtful.
[379] Julius Köstlin, “Life of Luther,” trans. from the German, New
York, 1883; pp. 334, 335.
[380] Fairholt, “Rambles of an Artist,” p. 132, fig. 165.
[381] Burgon, “The Life and Times of Sir Thomas Gresham,” London, 1839,
vol. i, p. 51.
[382] Catalogue of a collection of ancient and modern rings and
personal ornaments formed for Lady Londesborough, London, 1853, pp. 8,
9. Privately printed.
[383] Cited in Furness, “Variorum Shakespear,” vol. vii (Othello),
Phila., 1888, p. 132.
[384] Evans, “Posy Rings,” London, 1892, p. 13.
[385] _Ibid._, p. 13.
[386] Thomas Joseph Pettigrew, “On Superstitions Connected With the
History and Practice of Medicine and Surgery,” London, 1844, pp. 36, 37.
[387] Col. T. H. Hendley, “Indian Jewellery,” “Journal of Indian Art
and Industry,” vol. xii, p. 5, 1907–1909.
[388] G. Bapst, “Les Joyaux de la Couronne,” Paris, 1889, p. 18.
[389] Cyril Davenport, “Jewellery,” Chicago, 1908, p. 112.
[390] William Tegg, “The Knot Tied: Marriage Ceremonies of All
Nations,” London, 1877, p. 314.
[391] Fuller, “Holy State,” chap. xxii, Of Marriage.
[392] Jahrbuch der Kunsthistorischen Sammlungen des allerhöchsten
Kaiserhauses, vol. i, Pt. II, p. xxi, Wien, 1883.
[393] Johnson, “Tunis of To-day”; in the National Geographic Magazine,
vol. xxii, p. 747; No. 8, Aug., 1911.
[394] Historical Manuscripts Commission, Twelfth Report, Appendix, Pt.
IV, MSS. of Duke of Rutland at Belvoir Castle, vol. i, London, 1888, p.
6.
[395] A number of posies of the list comes from Joseph Maskell’s
excellent little monograph, “The Wedding-Ring,” London, 1888, pp. 31–35.
[396] From the “Card of Courtship, or the Language of Love,” published
in 1653; cited in Tegg’s “The Knot Tied,” London, 1877.
[397] From “The Mysteries of Love and Eloquence,” London, 1658; in
Tegg’s “The Knot Tied.”
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