Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
[Illustration: Gold ring of Venetian workmanship. The ends of the
hoop form monsters’ heads, supporting a bezel formed like the
petal of a flower. XIV Cent.
British Museum]
[Illustration: HAND OF A JEWELER, HOLDING A _BACULA_ WITH
FIVE RINGS
British Museum]
[Illustration: Gold ring set with an amethyst. Found at Lorsch,
Grand Duchy of Hesse-Darmstadt, and hence called the “Lorscher
Ring.” German; end of Tenth or beginning of Eleventh Century.
Grossherzoglich-Hessisches Museum, Darmstadt]
[Illustration: Silver ring having projecting bezel in form of a
spur with revolving rowel. Italian (?), Fourteenth or Fifteenth
Century
British Museum]
[Illustration: “Regard ring,” with seven hoops. The initials of
the six stones spell the word “regard”
British Museum]
[Illustration: Rings of modern Egyptian type. 1, woman’s ring;
hoop of twisted gold; 2, man’s ring made by silversmith of Mecca,
with stone setting; 3, cast silver ring; stone setting; with
guards
Fairholt’s “Rambles of an Artist”]
[Illustration: Pipe stopper ring. A silver ring on which are
set three Indian, rose-cut zircons. This ring was placed on
the finger and the tobacco in the bowl of the pipe was pressed
down with it. French; about 1750. A similar ring was figured by
Hogarth in one of his illustrations
Field Museum, Chicago]
Many of the hoops of the later Roman rings were elaborately decorated,
either in openwork, with spirals in wire, or with beads on the
shoulders; this latter type is, however, more probably of Merovingian
times. A Roman polygonal hoop, with a high-set bezel, has on the side
of this loops for carrying a string of pearls suspended from the ring.
In one of the rings specially designed for insetting with engraved
gems, the hoop, rounded on the outer side, has shoulders ending in
curling leaves. A curious specimen is a plain hoop broadening in an
oval bezel; in this has been inserted an intaglio head in sard, the
shape of the stone following the exact outline of the head, without any
margin.
A Burgundian ring of a form that M. Deloche believes to be unique, has
an open hoop. At one extremity is a nail-shaped attachment which can
be passed through the other extremity, thus closing the ring. A bronze
ring, also Burgundian, of a rare or unique type has at the bezel a
high, oblong projection. Both these rings are of the Merovingian period
which closed in 752 A.D.[122]
Public-domain text, read in full here on John Shaqi.
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