1, silver ring of East Indian workmanship. 2, massive Tartar finger ring of fine gold. 3, copy in silver of the betrothal ring of Martin Luther, a gift of Richard Watson Gilder. 4, finger ring with precious stone setting and two irregularly-shaped pearls. Pendant shows the bust of a bearded man in armor. 5, gold betrothal ring. Two hands holding a crowned heart. Type used by Galway fisherman from the Thirteenth Century and called a “Claddugh Ring.” 6, openwork gold ring. 7, old Chinese gold ring--oval with Chinese characters, on either side a chiseled bat. 8, Moorish finger ring of fine gold. Large shield with characteristic ornamentation. 9, gold ring with intaglio of a shepherd and goat cut on a light sard. 10, square gold ring, with bead groups in centre and at corners, the central part in raised openwork. 11, gold ring. French. Heart-shaped bezel set with Watteau figure in repousse, under crystal, and surrounded with bits of green and white crystal between small flowers of gold. 12, silver finger ring. Two hoops linked together by true-lovers’ knot.] An unusually large ring was worn by the well-known theatrical manager, Sheridan Shook. It was set with an amethyst an inch long by three-quarters of an inch broad and half an inch deep, and weighing two and a half ounces. The letter S was engraved in the stone and inlaid with small diamonds. This immense ring with its massive gold setting can hardly be termed a great work of art, but it is unique in its way and was greatly valued by its owner, who only ceased to wear it when ill-health and weakness made it too much of a burden. The extensive and remarkable collections of the late Alexander Wilson Drake, which were disposed of at the American Art Galleries in New York, March 10th to 17th, 1913, comprised a fine collection of finger rings, illustrating a large variety of forms and periods. There were in all nearly 800 examples, set and unset. There were betrothal rings, memorials rings, gimmal rings, puzzle rings, rings of Roman, French, German, Italian, Spanish, Russian, Irish, Scandinavian, English and American workmanship, and many Oriental rings, Sassanian, Indian, Japanese, Chinese, Hebrew, Gypsy and Moorish, one of the latter being a gold circlet with the twelve signs of the zodiac engraved in high relief around it. The personality of the collector added greatly to the charm of this collection for all who had known him. As art editor of the _Century Magazine_, and in a thousand other ways, no one had labored more enthusiastically and successfully in the cause of art encouragement and art education, and his death constituted a real loss for the progress of art in America. The valuable and carefully chosen collection of gem stones set in rings, which was made by the late Sir Arthur Herbert Church (1834–1915), has been presented by his widow, Lady Church, to the trustees of the British Museum and is shown in the Natural History building.[141]