Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
The pale alloy of gold, known as electrum,[181] was favored for
ring-making in Oriental Greece, and is termed “white gold” in ancient
inventories. Thus in an inventory of the temple treasures of Eleusis,
made in 332 B.C., there is mention of “two plain gold rings
of white gold.”[182] Some Ionic rings of the fifth century, B.C.
from Cyprus are also of this metallic composition. Of gold rings set
with stones, a Parthenon inventory of 422 B.C. lists one
with an onyx, perhaps a scaraboid, and in a Delos inventory of 279
B.C., there is one with an _anthrax_, probably a garnet.
The variation of the phrasing in these two mentions, the former naming
an onyx having a ring of gold, while the latter speaks of a “gold
ring having a garnet,” might be taken to indicate that the onyx was a
large object compared with the hoop, and the garnet a relatively small
one.[183]
In the masterpiece of ancient Greek romantic prose literature, the
Æthiopica of Heliodorus (fl. ab. 400 A.D.), perhaps Heliodorus Bishop
of Tricca, the writer describes a splendid ring given by Kalasiris to
Nausikles. This was one of the royal jewels of the King of Ethiopia.
The hoop was of electrum, and in the bezel was set a beautiful amethyst
engraved with a design showing a shepherd pasturing his flock.[184]
Heliodorus especially dwells upon the fact that this was an Ethiopian
(probably an Indian) amethyst, this variety far surpassing those from
Iberia (the Spanish Peninsula) and Britain. In the very successful
rendering of this Greek passage by Rev. C. W. King, the contrast
between the former and the latter is thus gracefully expressed:[185]
For the latter blushes with a feeble hue, and is like a rose
just unfolding its leaves from out of the bud, and beginning
to be tinged with red by the sunbeams. But in the Ethiopian
Amethyst, out of its depth flames forth like a torch a pure and
as it were Spring-like beauty; and if you turn it about as you
hold it, it shoots out a golden lustre, not dazzling the sight
by its fierceness, but resplendent with cheerfulness. Moreover,
a more genuine nature is inherent in it than is possessed by any
brought from the West, for it does not belie its appellation, but
proves in reality to the wearer an antidote against intoxication,
preserving him sober in the midst of drinking-bouts.
In his “Rape of the Lock,” Pope writes of Belinda’s golden hair-bodkin,
that the metal had originally been worked up into rings and then into a
gold buckle, thus the gold was
The same, his ancient personage to deck
Her great-great-grandsire wore about his neck
In three seal-rings, which, after melted down,
Formed one huge buckle for his widow’s gown.
Public-domain text, read in full here on John Shaqi.
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