Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
In a recently published work, M. Salomon Reinach, of the National
Museum at St. Germain-en-Laye, an archæologist of the highest repute,
makes a curious conjecture in regard to the real significance of the
story related by Herodotus regarding this signet. M. Reinach holds
that when Polycrates sailed out to sea to cast away his ring, he was
engaged in the performance of a ceremony similar to that performed
annually by the Doges of Venice, when they wedded the Adriatic by
casting a ring into its waters. Polycrates, as a “thalassocrat,” or
ruler of the sea, celebrated in this way his mastery over this element,
and M. Reinach believes that this act, told as an isolated happening by
Herodotus, was really a ceremony repeated each year. The conjecture is
an ingenious one, although it may not be generally accepted.[204]
The signet of the Persian sovereign, Xerxes, is said to have borne
the nude figure of a woman with disheveled hair.[205] This depicted
Anahita, the Persian goddess of fertilization and also of war, a
divinity closely resembling the Assyrian Ishtar in her attributes and
functions. According to other ancient authorities, however, the design
was either a portrait of Xerxes himself, that of Cyrus the Great, or
else a representation of the horse whose neighing legend states to have
been received as an omen determining the choice of Darius Hystaspes,
father of Xerxes, as King of Persia.
In Græco-Roman times, a certain Eurates is represented to be the owner
of a ring set with an engraved signet bearing the head of the Pythian
Apollo, and to have boasted that the ring literally “spoke” to him. Of
course, the satirist Lucian, who tells this tale, only offers it as a
specimen of the lies told by Eurates, still the recital indicates that
such fables were credited in the second century of our era.[206]
Another superstitious use of signet rings was to throw a number of
them into a heap and pull out one at random, the design engraved on
the signet being interpreted as a favorable or unfavorable omen, which
foretold the outcome of any contemplated action. An instance of this
appears in Plutarch’s life of Timoleon (d. 337 B.C.), the
Greek general who freed Syracuse from the tyrant Dionysius. In one of
his campaigns the enemy had taken up a strong position behind a river,
which the troops of Timoleon were forced to ford. A noble rivalry
sprang up among the officers as to who should be the first to enter
the river, and Timoleon, fearing that confusion would result from the
dispute, decided to settle the question by lot. Therefore he took from
each of the officers his signet ring, cast them into his own cloak,
shook them together, and drew out one, which fortunately bore the
figure of a trophy. This was hailed as a good omen, the quarrel was
forgotten, and the stream was forded so impetuously, and the attack was
so vigorous that the enemy was overwhelmed.[207]
Public-domain text, read in full here on John Shaqi.
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