manner kings were elected in that country.”[304.2] In a story which appears to come from Gujerat, the king dies without an heir, and the astrologers prophesy that his heir would be the first who entered the gates of the city on the morrow of the king’s decease, and around whose neck the sacred elephant would throw a garland of flowers.[304.3] At other times the elephant alone does not make the choice. With him is conjoined some other animal or symbol of royalty. A tale from Kashmir speaks of a land where, when the king died, his elephant “was driven all over the country and his hawk was made to fly here, there and everywhere in search of a successor; and it came to pass that before whomsoever the elephant bowed and on whosesoever hand the hawk alighted, he was supposed to be the divinely chosen one.”[304.4] In the _Kathákoça_, a collection of stories illustrating the tenets and practice of Jainism, five ordeals, as they are expressly called, are invoked. “The mighty elephant came into the garden outside the city. There the elephant sprinkled Prince {305} Amaradatta [we have already heard of sprinkling as a means of hallowing to kingship], and put him on its back. Then the horse neighed. The two chowries fanned the prince. An umbrella was held over his head. A divine voice was heard in the air: ‘Long live King Amaradatta.’”[305.1] In most of these cases the decision is clearly regarded as the judgement of Heaven; and in every case the judgement of Heaven may at least be inferred. The incident is hardly less a favourite in the West than in the East. In the West, too, it is an appeal to the judgement of Heaven. All the European stories, however, in which it occurs have been recorded within the last century; consequently the incident in question appears only in a very late form. Now an appeal to the judgement of Heaven in the selection of a ruler is familiar to the peasant mind of the continent in one solitary instance--that of the choice of a pope. Accordingly this is the favourite, if not the only form of the story as it is told in France, Italy, and Switzerland. The charming collection by the late M. Luzel of religious and quasi-religious tales of Lower Brittany contains one entitled “Pope Innocent.” The hero is a son of the King of France cast off by his parents, who attempt to put him to death. He sets out for Rome to be present at the election of a new pope. On the way he falls in with two Capuchin monks. The elder of them is gentle to him, the other suspicious and hostile. The youth is a bit of a prig. Perhaps this is not to be wondered at, seeing that he is endowed with supernatural knowledge and power. These qualities make his conduct throughout the journey enigmatical to the point of excusing, if not justifying, the attitude of his unfriendly companion. {306} Everyone takes him for a sorcerer; and the younger monk says in so many words to the other, that they will be lucky if he do not bring them to the gallows or the