Ritual and belief : $b Studies in the history of religionHartland, Edwin Sidney
Religion
Ritual and belief : $b Studies in the history of religion
Hartland, Edwin Sidney
Ethnopsychology; Magic; Religion; Rites and ceremonies
But we may go further back still. I have referred to the make-believe
that is a relief to overcharged feelings. Emotional stress is felt at
times by everybody, be he savage or civilized. It causes a reaction,
more or less powerful in proportion to the magnitude of the cause or
the excitability of the person who undergoes it. It is expressed in
acts sometimes of the wildest extravagance, sometimes rhythmic and
partially controlled. These acts are spontaneous, automatic.
Recurrence of the emotional stress would tend to be accompanied by
repetition of the {117} acts in which the reaction had been previously
expressed. If the recurrence were sufficiently frequent, the form of
the reaction would become a habit to be repeated on similar occasions,
even where the stress was less vivid or almost absent. It can hardly
be doubted that many rites owe their existence to such reactions. The
Pawnees, like the Wichita, a tribe belonging to the Caddoan stock of
North America, summoned with song and dance and other elaborate rites
the buffaloes which were the mainstay of their existence. Everything
depended--sustenance, provision of clothing and tents and all other
necessaries, hence the very continuance of the tribal life--on the
buffaloes. Their movements about the great central plains of the
continent were mysterious. The true causes were unknown; the course
was not predicable with certainty. Accordingly, the period of
expectation while the people were awaiting the advent of the herd was
one of great emotional tension. It was relieved by a series of acts,
originally automatic, or quasi-automatic, which would gradually assume
more and more definitely the calling and enticement of the expected
herd. This form of reaction to the particular stress would become
habitual. It would end as a solemn rite, which was believed to have a
powerful influence in bringing the animals and effecting a
satisfactory capture. The _orenda_ of the performers, expressed in the
manner consecrated by tradition, would then be held to exercise a
compelling power.[117.1]
To such an origin must be ascribed the rehearsal of a battle that
takes place in many savage tribes before {118} the warriors go forth
on a raid, and the dances and other ceremonies accomplished by women
left at home when their husbands are absent fighting or hunting. More
obviously must it be held responsible for a variety of other
performances, of which the common spell in this country and on the
continent of Europe, to recover an article stolen or the waning
affections of a lover, is a type. The love-lorn maiden takes some
object, frequently a shoulder-bone of lamb, and sticks a knife or a
pin into it, saying:
“’Tis not this bone I mean to stick,
But my lover’s heart I mean to prick,
Wishing him neither rest nor sleep
Till he comes with me to speak.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account