Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, PictorialVarious
History
Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, Pictorial
Various
Thames River (England) -- Description and travel; Thames Valley (England) -- Description and travel
The River at Richmond--A Spot for a Holiday--The Old Palace
of Sheen--The Trumpeters' House--Old Sad Memories--Richmond
Green--The Church--Kean's Grave--Water Supply--The
Bridge--The Nunnery of Sion and Convent of Sheen--Sir
William Temple--Kew Observatory, Isleworth--Sion House and
its History--Kew Palace and the Georges--Kew Gardens--Kew
Green--Brentford--Mortlake--Barnes--Chiswick--The
Boat-race--Hammersmith--Putney--Barn Elms--Putney and Fulham--The
Bishops of London--Hurlingham--The Approach to a Great City.
It would be easy to find spots on the Thames where the natural
features--the wood-clad slope, the grassy sward, and the gliding
stream--were associated in equal beauty, but it would be difficult to
meet with any more picturesque combination of these with the dwellings
of men than may be seen on the river reach just below Richmond Bridge.
The light-grey arches, through which the Thames flows ripplingly,
are backed by the groves of Richmond Hill. On the one hand are the
shady gardens and villas that now thickly stud the meadow plain of
Twickenham; on the other, the houses of the town, after thronging down
to the waterside at the entrance of the bridge, give place to statelier
mansions with ample pleasure-grounds. It was doubtless a more imposing
sight when the façade of the old palace of Sheen, which these mansions
have replaced, overlooked the margin of the Thames; but it can have
hardly been more picturesque than now. The low iron railing allows the
eye to wander from the path by the riverside to the green pastures and
lawns overshadowed by fine trees, to the old-fashioned façade of the
"Trumpeters' House," while the more ambitious semi-classical design of
Asgill House on the one hand, and of Queensberry House on the other, in
closer proximity to the river, give an irregularity to the grouping,
and perhaps accord better with the neighbouring town than the unbroken
front of the Tudor palace is likely to have done. In its days, also,
there were no bridges, and though the railway viaduct below might well
be spared, the stone bridge must have improved a view of this kind. At
any rate, this reach of the Thames is classic in art and literature; it
has engaged the pencil of Turner, and is full of memories of Pope and
Gay and Thomson.
Public-domain text, read in full here on John Shaqi.
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