Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, PictorialVarious
History
Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, Pictorial
Various
Thames River (England) -- Description and travel; Thames Valley (England) -- Description and travel
Leaving Waterloo Bridge and Somerset House in our rear, the next
object of note that we reach is the Temple, where we might linger a
whole summer's day, without exhausting all the interest that attaches
to that memorable spot. What one chiefly sees from the river is the
green and pleasant garden, where, according to Shakespeare, the
partisans of the Houses of York and Lancaster plucked the white and red
roses which served as the distinctive badges of their cause. Looking
northward, however, we discern some of the new buildings which border
the open ground; and we know that beyond these lie the wonderful
courts and alleys--the mazy lanes and avenues of old houses--which,
taken altogether, make the Temple one of the most fascinating spots
in London. As he passes by on the smooth waves, the man familiar with
books can hardly refrain from repeating to himself the murmuring lines
of Spenser, in which the poet traces back the history of that cloistral
retreat to the days when it was associated with a great military and
ecclesiastical Order. Spenser was a thorough Londoner, and therefore
well acquainted with
"Those bricky towers
The which on Thames' broad, aged back doe ride,
Where now the studious lawyers have their bowers:
There whilom wont the Templar Knights to bide,
Till they decayed through pride."
In the poet's time, and for nearly a hundred years after, brick
edifices were very uncommon in London, and the Great Fire of 1666
would never have spread so rapidly, or extended so far, had not the
majority of the houses been constructed of wood. It was the "bricky
towers" of the Temple which at length stopped the westward march of the
conflagration. The oldest parts of the two Inns seem almost as if they
might be coeval with the days of Spenser; but the greater number of
the buildings belong apparently to the latter part of the seventeenth
century. Many alterations have of late taken place in the Temple, and
the new work (if only for its newness) is out of harmony with the old.
Could Charles Lamb revisit this beloved spot, it is to be feared that
he would be much troubled by some of the recent innovations. Those who
share Lamb's appreciation of old London have certainly a good deal
to put up with in these days. Perhaps the alterations are necessary
and unavoidable; but they are often terribly jarring, though there
are persons who will scarcely tolerate even a sigh over the departed
or departing relics of an interesting past. A good deal of the old
Temple, however, still remains, and may perhaps survive for another
decade or two. In the Temple Church we have a striking relic of the
Middle Ages, elaborately, but not always judiciously, restored between
1839 and 1842; and the Middle Temple Hall is thought to contain some of
the best Elizabethan architecture in London.
[Illustration: BIT OF THE VICTORIA EMBANKMENT.]
Public-domain text, read in full here on John Shaqi.
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