Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, PictorialVarious
History
Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, Pictorial
Various
Thames River (England) -- Description and travel; Thames Valley (England) -- Description and travel
Meantime Iffley Lock ends the shorter course for rowing practice,
Sandford the longer; while Nuneham and Abingdon, to keep to an Oxford
point of view, mark the longer picnic courses. It is all Frideswide
ground; the saint was rowed to the outhouse near Abingdon by an angel,
when she was warned in a dream and fled. The meadows of her convent
now are lined by the college barges. These are an interesting study
in development. The first of them were old procession barges of the
London City Companies. One of them, the Oriel barge, still remains,
with its delicate form, and long sharp prow, in which the rowers sat.
The bronze figures by the door of the saloon are untouched, the oval
windows, the tarnished gilding within. But the spirit of utility
rebelled and the model changed. The long prow was chopped off close,
the semblance of the high stern went, and there was left merely a
square floating dressing-room with railings round its roof, and seats
for the spectators of races. Then the sense of beauty mutinied, perhaps
alleging the use of the toy for picnic excursions, and the prow and
stern were restored. The University barge is a monument of the Gothic
revival. Several architects have tried their hand in designs for these
craft, and new ones are from time to time constructed. It is the oddest
little street, this row of motley Noah's Arks; and when the high poles
shake out their amazing flags, and the men come down in fearless
college colours, and a vast and diverse millinery decks every foot of
standing room the roofs can give, there would seem to be some touch
of an Arabian Night about a very English day, were it not that the
vigorous people wear many more colours than Arabia would allow.
A little hill at Iffley lifts up the rusty-grey rectory and church. The
church is, for its size, made in an absurd number of styles, beginning
with Late Norman. The heavy arches inside are carved round with
sunflowers, looking like an ancient imitation of modern work. Outside,
there is the strangest confusion of carvings; a centaur strayed from
Phigaleia, and other pagan images among the Christian symbols. The Gods
in Exile have visited Iffley too. On the south side a great yew has
been building all through the Transition and the Perpendicular and the
Tractarian times, and the people who Decorated, and the people who Late
Middle Pointed, and the rest make the ground quite uneven round its
roots. An undated villager, who styles himself Archdeacon of Iffley,
and has a venerable humour, comes among the graves for company.
Public-domain text, read in full here on John Shaqi.
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