Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, PictorialVarious
History
Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, Pictorial
Various
Thames River (England) -- Description and travel; Thames Valley (England) -- Description and travel
is so much to be done, and the cost of doing it is so considerable,
that the work will probably not be finished for years to come. At the
bottom of the north aisle is a large collection of sculptured stones,
which, no doubt, before the Dissolution, formed part of the monastic
buildings. They were mainly obtained from an old house in the village,
which would seem to have been largely built with materials taken
from the Abbey, and it is intended to build them into the fabric as
opportunity offers. The western end of the building is somewhat gloomy,
a defect which might without difficulty be removed by the uncovering of
the handsome west window, which has long been bricked up. Dorchester
has one of the very few leaden fonts of Norman workmanship which now
remain to us: there is another at Long Wittenham, on the opposite side
of the river. Round the bowl are cut, in high relief, the figures of
the eleven apostles, Judas being, of course, inadmissible. What, had
not the tower intervened, would have been the western end of the nave,
forms an ante-church, which is used for the minor services. A pillar
in this chapel has some quaint carvings near the base. One of the most
ancient portions of the church seems to be the Lady Chapel, at the
eastern extremity of the south aisle adjoining the chancel. The altar
here was erected in memory of Bishop Wilberforce, of Winchester. There
are four altar-tombs in the Lady Chapel, the survivors of probably a
much larger number. Two are to ladies; the others represent Crusaders.
The feet of each rest upon a lioncel. Close to these tombs is the brass
of Richard Bewforest, to whose piety posterity owes the preservation of
this Abbey Church. In 1554 Master Bewforest purchased the church from
the hands of the despoilers, paying therefor £140, which, although a
goodly sum for his day, was assuredly not extravagant. Here, too, is an
unornamented brass to an undistinguished person, named Thomas Day, with
the following odd epitaph, dated 1693:--
"Sweet Death he came in Hast
& said his glass is run;
Thou art ye man i say,
See what thy God has done."
[Illustration: SINODUN HILL AND DAY'S LOCK.]
Public-domain text, read in full here on John Shaqi.
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