Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, PictorialVarious
History
Rivers of Great Britain. The Thames, from Source to Sea.: Descriptive, Historical, Pictorial
Various
Thames River (England) -- Description and travel; Thames Valley (England) -- Description and travel
a zest and flavour which are always lacking elsewhere; the result, no
doubt, of their being usually eaten during the exhilaration following
upon physical exercise. These ancient Thames-side inns possess a charm
peculiar to themselves, due largely to their lovely surroundings and to
the river flowing beneath their windows.
From the "Beetle and Wedge" to Streatley and Goring Bridge, the goal of
our pilgrimage in this chapter, the towing-path keeps to the Berkshire
bank. As we near Cleeve Lock the scenery becomes yet more sylvan. The
river is densely lined with trees, the more especially on the Oxford
shore, and the stream winds just enough for picturesqueness. Groups of
splendid beeches dot the country, and the water is enlivened by many a
boatful of flannelled rowers and pink-vested sirens. Ladies appear to
have recognised, with intuitive taste, that pink and white are two of
the most effective colours for river wear, and the Thames, in all the
fashionable reaches, owes much of its vivacity to the brilliant hues
of its attendant water-nymphs. However solitary the river may be in
some parts, as between Clifton and Dorchester, for instance, there is
enough of life and movement within hail of Goring. The neighbourhood
of Cleeve Lock is a favourite haunt for house-boats and campers, since
there is nothing prettier on that side of Abingdon until such famous
spots as Henley and Maidenhead are reached. The house-boats which
take up their moorings hereabouts are usually of the larger and more
elaborate pattern. The little muslined windows are gaily decked with
flowers, there is a miniature flower-garden upon the flat roof, and
where the roof overhangs are suspended Chinese lanterns, gorgeous with
many a brilliant stripe and spot. A graceful white-robed figure, in a
coquettish pink sash, seated in the stern, is not the least attractive
object in the landscape. The roar of the Streatley weirs below is
plainly heard, and many are the lovely glimpses of the brimming, rushy
river between the lock and the bridge. Overhead rise, close at hand,
the broad, rolling hills, upon which the sun casts shade and shine in
successive flecks. The clouds, alternately deep blue and flaky-white,
seem to cast their moving reflections upon the crest of the hills,
for the gilded sunshine melts with delicate gradations into soft,
shimmering shadow. Half a mile or so below Cleeve Lock the stream
divides, the cut to the left going to Goring Lock and the main channel
to Streatley. From the point of divergence to Streatley and Goring
Bridge is but a brief pull, and few pilgrims of the Thames will desire
to push on without halting for a while at this pretty village. Near the
bridge is a mill, fed from the river, looking very picturesque with its
steep gables and high-set dormer windows. The weirs here are favourite
sketching grounds, and almost daily in summer and early autumn easels
are pitched in the wise represented in the final illustration to this
chapter.
Public-domain text, read in full here on John Shaqi.
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