Outlaws -- Fiction; Rob Roy, 1671-1734 -- Fiction; Scotland -- History -- 1689-1745 -- Fiction
I have tagged with rhyme and blank verse the subdivisions of this
important narrative, in order to seduce your continued attention by
powers of composition of stronger attraction than my own. The preceding
lines refer to an unfortunate navigator, who daringly unloosed from its
moorings a boat, which he was unable to manage, and thrust it off into
the full tide of a navigable river. No schoolboy, who, betwixt frolic and
defiance, has executed a similar rash attempt, could feel himself, when
adrift in a strong current, in a situation more awkward than mine, when I
found myself driving, without a compass, on the ocean of human life.
There had been such unexpected ease in the manner in which my father
slipt a knot, usually esteemed the strongest which binds society
together, and suffered me to depart as a sort of outcast from his family,
that it strangely lessened the confidence in my own personal
accomplishments, which had hitherto sustained me. Prince Prettyman, now a
prince, and now a fisher's son, had not a more awkward sense of his
degradation. We are so apt, in our engrossing egotism, to consider all
those accessories which are drawn around us by prosperity, as pertaining
and belonging to our own persons, that the discovery of our unimportance,
when left to our own proper resources, becomes inexpressibly mortifying.
As the hum of London died away on my ear, the distant peal of her
steeples more than once sounded to my ears the admonitory “Turn again,”
erst heard by her future Lord Mayor; and when I looked back from Highgate
on her dusky magnificence, I felt as if I were leaving behind me comfort,
opulence, the charms of society, and all the pleasures of cultivated
life.
Public-domain text, read in full here on John Shaqi.
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