Outlaws -- Fiction; Rob Roy, 1671-1734 -- Fiction; Scotland -- History -- 1689-1745 -- Fiction
Abra was ready ere I named her name,
And when I called another, Abra came.
I alternately gave way to these thoughts, and struggled against them,
sometimes yielding to a mood of melting tenderness of sorrow which was
scarce natural to me, sometimes arming myself with the hurt pride of one
who had experienced what he esteemed unmerited rejection. I paced the
library until I had chafed myself into a temporary fever. I then threw
myself on the couch, and endeavoured to dispose myself to sleep;--but it
was in vain that I used every effort to compose myself--that I lay
without movement of finger or of muscle, as still as if I had been
already a corpse--that I endeavoured to divert or banish disquieting
thoughts, by fixing my mind on some act of repetition or arithmetical
process. My blood throbbed, to my feverish apprehension, in pulsations
which resembled the deep and regular strokes of a distant fulling-mill,
and tingled in my veins like streams of liquid fire.
At length I arose, opened the window, and stood by it for some time in
the clear moonlight, receiving, in part at least, that refreshment and
dissipation of ideas from the clear and calm scene, without which they
had become beyond the command of my own volition. I resumed my place on
the couch--with a heart, Heaven knows, not lighter but firmer, and more
resolved for endurance. In a short time a slumber crept over my senses;
still, however, though my senses slumbered, my soul was awake to the
painful feelings of my situation, and my dreams were of mental anguish
and external objects of terror.
I remember a strange agony, under which I conceived myself and Diana in
the power of MacGregor's wife, and about to be precipitated from a rock
into the lake; the signal was to be the discharge of a cannon, fired by
Sir Frederick Vernon, who, in the dress of a Cardinal, officiated at the
ceremony. Nothing could be more lively than the impression which I
received of this imaginary scene. I could paint, even at this moment, the
mute and courageous submission expressed in Diana's features--the wild
and distorted faces of the executioners, who crowded around us with
"mopping and mowing;" grimaces ever changing, and each more hideous than
that which preceded. I saw the rigid and inflexible fanaticism painted in
the face of the father--I saw him lift the fatal match--the deadly signal
exploded--It was repeated again and again and again, in rival thunders,
by the echoes of the surrounding cliffs, and I awoke from fancied horror
to real apprehension.
Public-domain text, read in full here on John Shaqi.
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