Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
The historical distortions of the religion of Christ do not, however,
disturb the faith of Browning in the Christian revelation of Divine
love. In _Cleon_ he exhibits the failure of Paganism, even in its forms
of highest culture, to solve the riddle of life and to answer the
requirements of the human spirit. All that regal power liberally and
wisely used can confer belongs to Protus in his Tyranny; all that
genius, and learning and art can confer is the possession of Cleon; and
a profound discouragement has settled down upon the soul of each. The
race progresses from point to point; self-consciousness is deepened and
quickened as generation succeeds generation; the sympathies of the
individual are multiplied and extended. But he that increases knowledge,
increases sorrow; most progress is most failure; the soul climbs the
heights only to perish there. Every day the sense of joy grows more
acute; every day the soul grows more enlarged; and every day the power
to put our best attainments to use diminishes. "And how dieth the wise
man? As the fool. Therefore I hated life; yea, I hated all my labour
that I had taken under the sun." The poem is, indeed, an Ecclesiastes of
pagan religion. The assurance of extinction is the worm which gnaws at
the heart of the rose:
It is so horrible
I dare at times imagine to my need
Some future state revealed to us by Zeus,
Unlimited in capability
For joy, as this is in desire for joy.
But this is no better than a dream; Zeus could not but have revealed it,
were it possible. Browning does not bring his Cleon, as Pater brings his
Marius, into the Christian catacombs, where the image of the Shepherd
bearing his lamb might interpret the mystery of death, nor to that house
of Cecilia where Marius sees a new joy illuminating every face. Cleon
has heard of Paulus and of Christus, but who can suppose that a mere
barbarian Jew
Hath access to a secret shut from us?
The doctrine of Christ, preached on the island by certain slaves, is
reported by an intelligent listener to be one which no sane man can
accept. And Cleon will not squander the time that might be well
employed in studying the proportions of a man or in combining the moods
of music--the later hours of a philosopher and a poet--on the futile
creed of slaves.
Public-domain text, read in full here on John Shaqi.
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