Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
The project of a joint volume of poems on the Italian question by
Browning and his wife, which had made considerable progress towards
realisation, had been dropped after Villafranca, when Browning destroyed
his poem; but Mrs Browning had advanced alone and was now revising
proofs of her slender contribution to the poetry of politics, _Poems
before Congress._ She wrote them, she says, simply to deliver her
soul--"to get the relief to my conscience and heart, which comes from a
pent-up word spoken or a tear shed." She can hardly have anticipated
that they would be popular in England; but she was not prepared for one
poem which denounced American slavery being misinterpreted into a curse
pronounced upon England. "Robert was _furious_" against the offending
Review, she says; "I never saw him so enraged about a criticism;" but
by-and-by he "didn't care a straw." His wife, on the other hand, was
more deeply pained by the blindness and deafness of the British public
towards her husband's genius; nobody "except a small knot of
pre-Rafaelite men" did him justice; his publisher's returns were a proof
of this not to be gainsaid--not one copy of his poems had for six months
been sold, while in America he was already a power. For the poetry of
political enthusiasm he had certainly no vocation. When Savoy was
surrendered to France Mrs Browning suffered some pain lest her Emperor's
generosity might seem compromised. Browning admitted that the
liberation of Italy was a great action, adding cynically of his future
Prince Hohenstiel-Schwangau, "But he has taken eighteen-pence for it,
which is a pity." During the winter he wrote much. "Robert deserves no
reproaches," his wife tells her friend Miss Haworth in May, "for he has
been writing a good deal this winter--working at a long poem, which I
have not seen a line of, and producing short lyrics which I have seen,
and may declare worthy of him." Mr F.G. Kenyon conjectures that the long
poem is not unlikely to have been _Mr Sludge the Medium_, for Home's
performances, as he says, were at this time rampant.[79] As hitherto,
both husband and wife showed their poems each to the other only when the
poems were complete; thus like a pair of hardy friends they maintained
their independence. Even when they read, there was no reading aloud; Mrs
Browning was indefatigable in her passion for books; her husband, with
muscular energy impatient for action, found it impossible to read for
long at a single sitting.
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