Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
When Carlyle met Browning after the appearance of _The Ring and the
Book_, he desired to be complimentary, but was hardly more felicitous
than Browning himself had sometimes been when under a like necessity:
"It is a wonderful book," declared Carlyle, "one of the most wonderful
poems ever written. I re-read it all through--all made out of an Old
Bailey story that might have been told in ten lines, and only wants
forgetting."[100] A like remark might have been made respecting the book
which, in its method and its range of all English books most resembles
Browning's poem, and which may indeed be said to take among prose works
of fiction a similar place to that held among poetical creations by
Browning's tale of Guido and Pompilia. Richardson's _Clarissa_ consists
of eight volumes made out of an Old Bailey story, or what might have
been such, which one short newspaper paragraph could have dismissed to a
happy or sorrowful oblivion. But then we should never have known two of
the most impressive figures invented by the imagination of man, Clarissa
and her wronger; and had we not heard their story from all the
participators and told with Richardson's characteristic interest in the
microscopy of the human heart, it could never have possessed our minds
with that full sense of its reality which is the experience of every
reader. Out of the infinitesimally little emerges what is great; out of
the transitory moments rise the forms that endure. It is of little
profit to discuss the question whether Richardson could have effected
his purpose in four volumes instead of eight, or whether Browning ought
to have contented himself with ten thousand lines of verse instead of
twenty thousand. No one probably has said of either work that it is too
short, and many have uttered the sentence of the critical
Polonius--"This is too long." But neither _Clarissa_ nor _The Ring and
the Book_ is one of the Hundred Merry Tales; the purpose of each writer
is triumphantly effected; and while we wish that the same effect could
have been produced by means less elaborate, it is not safe to assert
confidently that this was possible.
Public-domain text, read in full here on John Shaqi.
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