Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
Browning's repute as a thinker and "teacher" long overshadowed his glory
as a singer, and it still to some extent impedes the recognition of his
bold and splendid colouring. It is true that he is never a colourist
pure and simple; his joy in light and colour is never merely epicurean.
Poets so great as Keats often seem to sit as luxurious guests at their
own feasts of sense; Browning has rather the air of a magnificent
dispenser, who "provides and not partakes." His colouring is not subtle;
it recalls neither the æthereal opal of Shelley nor the dewy flushing
glow and "verdurous glooms" of Keats, nor the choice and cultured
splendour of Tennyson; it is bold, simple, and intense. He neglects the
indecisive and subdued tones; the mingled hues chiefly found in Nature,
or the tender "silvery-grey" of Andrea's placid perfection. He dazzles
us with scarlet and crimson; with rubies, and blood, and "the poppy's
red effrontery," with topaz, and amethyst, and the glory of gold, makes
the sense ache with the lustre of blue, and heightens the effect of all
by the boldest contrast. Who can doubt that he fell the more readily
upon one of his quaintest titles because of the priestly ordinance that
the "Pomegranates" were to be "of blue and of purple and of scarlet,"
and the "Bells" "of gold"? He loves the daybreak hour of the world's
awakening vitality as poets of another temper love the twilight; the
splendour of sunrise pouring into the chamber of Pippa, and steeping
Florence in that "live translucent bath of air"[64]; he loves the blaze
of the Italian mid-day--
"Great noontides, thunderstorms, all glaring pomps
That triumph at the heels of June the god."
Even a violet-bed he sees as a "flash" of "blue."[65] He loves the play
of light on golden hair, and rarely imagines womanhood without it, even
in the sombre South and the dusky East; Poiphyria and Lady Carlisle,
Evelyn Hope and the maid of Pornic, share the gift with Anael the Druse,
with Sordello's Palma, whose
"tresses curled
Into a sumptuous swell of gold, and wound
About her like a glory! even the ground
Was bright as with spilt sunbeams;"
Public-domain text, read in full here on John Shaqi.
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