Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
In another aspect it was a return to God. If the scientific movement
tended to subjugate man to a Nature in which, as Laplace said, there was
no occasion for God, Wordsworth saw both in Nature and in man a spirit
"deeply interfused"; and the great contemporary school of German
philosophy set all ethical thinking in a new perspective by its original
handling of the old thesis that duty is a realisation of the will of
God.
But, in yet another aspect, it was a return to Man. If Man was brought
nearer to Nature and to God, it was to a Nature and to a God which had
themselves acquired, for him, closer affinities with humanity. He
divined, with Wordsworth, his own joy, with Shelley his own love, in the
breathing flower; he saw with Hegel in the Absolute Spirit a power
vitally present in all man's secular activities and pursuits. And these
interpreting voices of poets and philosophers were but the signs of less
articulate sensibilities far more widely diffused, which were in effect
bringing about a manifold expansion and enrichment of normal, mental,
and emotional life. Scott made the romantic past, Byron and Goethe, in
their different ways, the Hellenic past, a living element of the
present; and Fichte, calling upon his countrymen to emancipate
themselves, in the name not of the "rights of men" but of the genius of
the German people, uttered the first poignant recognition of national
life as a glorious vesture arraying the naked body of the individual
member, not an aggregate of other units competing with or controlling
him.
In this complicated movement Browning played a very notable and
memorable part. But it was one of which the first generation of his
readers was entirely, and he himself to a great extent, unconscious, and
which his own language often disguises or conceals. Of all the poets of
the century he had the clearest and most confident vision of the working
of God in the world, the most buoyant faith in the divine origin and
destiny of man. Half his poetry is an effort to express, in endless
variety of iteration, the nearness of God, to unravel the tangled
circumstance of human life, and disclose everywhere infinity enmeshed
amid the intricacies of the finite.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account