And she walked on homewards meditating, her thin fingers clasped before
her, the wind blowing her skirts, the blue ribbons on her hat, the
little gold curls on her temples, in a pretty many-coloured turmoil
about her. When she got to Burwood she shut herself into the room which
was peculiarly hers, the room which had been a stable. Now it was full
of artistic odds and ends--her fiddle, of course, and piles of music,
her violin stand, a few deal tables and cane chairs beautified by a
number of _chiffons_, bits of Liberty stuffs with the edges still
ragged, or cheap morsels of Syrian embroidery. On the tables stood
photographs of musicians and friends--the spoils of her visits to
Manchester, and of two visits to London which gleamed like golden points
in the girl's memory. The plastered walls were covered with an odd
medley. Here was a round mirror, of which Rose was enormously proud. She
had extracted it from a farmhouse of the neighbourhood, and paid for it
with her own money. There a group of unfinished headlong sketches of the
most fiercely impressionist description--the work and the gift of a knot
of Manchester artists, who had feted and flattered the beautiful little
Westmoreland girl, when she was staying among them, to her heart's
content. Manchester, almost alone among our great towns of the present
day, has not only a musical, but a pictorial life of its own; its young
artists dub themselves 'a school,' study in Paris, and when they come
home scout the Academy and its methods, and pine to set up a rival
art-centre, skilled in all the methods of the Salon, in the murky north.
Rose's uncle, originally a clerk in a warehouse, and a rough diamond
enough, had more or less moved with the times, like his brother Richard;
at any rate he had grown rich, had married a decent wife, and was glad
enough to befriend his dead brother's children, who wanted nothing of
him, and did their uncle a credit of which he was sensible, by their
good manners and good looks. Music was the only point at which he
touched the culture of the times, like so many business men; but it
pleased him also to pose as a patron of local art; so that when Rose
went to stay with her childless uncle and aunt, she found long-haired
artists and fiery musicians about the place, who excited and encouraged
her musical gift, who sketched her while she played, and talked to the
pretty, clever, unformed creature of London and Paris and Italy, and
set her pining for that golden _vie de Boheme_ which she alone
apparently of all artists was destined never to know.
Public-domain text, read in full here on John Shaqi.
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