She needed no telling. She soon crept down-stairs again, and went to the
task of house-cleaning. The two men lived in the kitchen as before; when
they were at home she ate and sat in the parlor alone. Jim watched
her as far as his dull brain was capable of watching, and he dimly
understood that she was dying. Both men, indeed, felt a sort of
superstitious awe of her, she was so changed, so unearthly. As for the
story of the ghost, the old popular superstitions are almost dead in
the Cumbrian mountains, and the shrewd north-country peasant is in many
places quite as scornfully ready to sacrifice his ghosts to the Time
Spirit as any ‘bold bad’ haunter of scientific associations could wish
him to be. But in a few of the remoter valleys they still linger, though
beneath the surface. Either of the Backhouses, or Mary in her days of
health, would have suffered many things rather than allow a stranger
to suppose they placed the smallest credence in the story of Bleacliff
Tarn. But, all the same, the story which each had beard in childhood, on
stormy nights perhaps, when the mountain side was awful with the sounds
of tempest, had grown up with them, had entered deep into the tissue of
consciousness. In Mary’s imagination the ideas and images connected with
it had now, under the stimulus of circumstance, become instinct with
a living pursuing terror. But they were present, though in a duller,
blunter state, in the minds of her father and uncle; and as the weeks
passed on, and the days lengthened toward midsummer, a sort of brooding
horror seemed to settle on the house.
Mary grew weaker and weaker; her cough kept Jim awake at nights; once or
twice when he went to help her with a piece of work which not even her
extraordinary will could carry her through, her hand burnt him like a
hot cinder. But she kept all other women out of the house by her mad,
strange ways; and if her uncle showed any consciousness of her state,
she turned upon him with her old temper, which had lost all its former
stormy grace, and had become ghastly by the contrast it brought out
between the tempestuous, vindictive soul and the shaken weakness of
frame.
Public-domain text, read in full here on John Shaqi.
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