The next evening, having given up his praying, Robert sat with his
Sallust before him. But the fount of tears began to swell, and the more
he tried to keep it down, the more it went on swelling till his throat
was filled with a lump of pain. He rose and left the room. But he could
not go near the garret. That door too was closed. He opened the house
door instead, and went out into the street. There, nothing was to be
seen but faint blue air full of moonlight, solid houses, and shining
snow. Bareheaded he wandered round the corner of the house to the window
whence first he had heard the sweet sounds of the pianoforte. The fire
within lighted up the crimson curtains, but no voice of music came
forth. The window was as dumb as the pale, faintly befogged moon
overhead, itself seeming but a skylight through which shone the sickly
light of the passionless world of the dead. Not a form was in the
street. The eyes of the houses gleamed here and there upon the snow.
He leaned his elbow on the window-sill behind which stood that sealed
fountain of lovely sound, looked up at the moon, careless of her or
of aught else in heaven or on earth, and sunk into a reverie, in which
nothing was consciously present but a stream of fog-smoke that flowed
slowly, listlessly across the face of the moon, like the ghost of a
dead cataract. All at once a wailful sound arose in his head. He did not
think for some time whether it was born in his brain, or entered it from
without. At length he recognized the Flowers of the Forest, played as
only the soutar could play it. But alas! the cry responsive to his bow
came only from the auld wife--no more from the bonny leddy! Then he
remembered that there had been a humble wedding that morning on the
opposite side of the way; in the street department of the jollity
of which Shargar had taken a small share by firing a brass cannon,
subsequently confiscated by Mrs. Falconer. But this was a strange tune
to play at a wedding! The soutar half-way to his goal of drunkenness,
had begun to repent for the fiftieth time that year, had with his
repentance mingled the memory of the bonny leddy ruthlessly tortured
to death for his wrong, and had glided from a strathspey into that
sorrowful moaning. The lament interpreted itself to his disconsolate
pupil as he had never understood it before, not even in the
stubble-field; for it now spoke his own feelings of waste misery,
forsaken loneliness. Indeed Robert learned more of music in those few
minutes of the foggy winter night and open street, shut out of all
doors, with the tones of an ancient grief and lamentation floating
through the blotted moonlight over his ever-present sorrow, than he
could have learned from many lessons even of Miss St. John. He was cold
to the heart, yet went in a little comforted.
Public-domain text, read in full here on John Shaqi.
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