'But what's to be done in this case, Robert? Where's the work that you
can do in order to understand? Where's your long division, man?'
'Ye're ayont me noo. I canna tell that, Mr. Ericson. It canna be gaein'
to the kirk, surely. Maybe it micht be sayin' yer prayers and readin'
yer Bible.'
Ericson did not reply, and the conversation dropped. Is it strange that
neither of these disciples should have thought of turning to the story
of Jesus, finding some word that he had spoken, and beginning to do that
as a first step towards a knowledge of the doctrine that Jesus was the
incarnate God, come to visit his people--a very unlikely thing to
man's wisdom, yet an idea that has notwithstanding ascended above man's
horizon, and shown itself the grandest idea in his firmament?
In the evening Ericson asked again for his papers, from which he handed
Robert the following poem:--
WORDS IN THE NIGHT.
I woke at midnight, and my heart,
My beating heart said this to me:
Thou seest the moon how calm and bright
The world is fair by day and night,
But what is that to thee?
One touch to me--down dips the light
Over the land and sea.
All is mine, all is my own!
Toss the purple fountain high!
The breast of man is a vat of stone;
I am alive, I, only I!
One little touch and all is dark;
The winter with its sparkling moons
The spring with all her violets,
The crimson dawns and rich sunsets,
The autumn's yellowing noons.
I only toss my purple jets,
And thou art one that swoons
Upon a night of gust and roar,
Shipwrecked among the waves, and seems
Across the purple hills to roam;
Sweet odours touch him from the foam,
And downward sinking still he dreams
He walks the clover field at home,
And hears the rattling teams.
All is mine; all is my own!
Toss the purple fountain high!
The breast of man is a vat of stone;
I am alive, I, only I!
Thou hast beheld a throated fountain spout
Full in the air, and in the downward spray
A hovering Iris span the marble tank,
Which as the wind came, ever rose and sank
Violet and red; so my continual play
Makes beauty for the Gods with many a prank
Of human excellence, while they,
Weary of all the noon, in shadows sweet
Supine and heavy-eyed rest in the boundless heat:
Let the world's fountain play!
Beauty is pleasant in the eyes of Jove;
Betwixt the wavering shadows where he lies
He marks the dancing column with his eyes
Celestial, and amid his inmost grove
Upgathers all his limbs, serenely blest,
Lulled by the mellow noise of the great world's unrest.
Public-domain text, read in full here on John Shaqi.
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