The baron came on deck now and then, looking bored. He had not
calculated on having to nurse the girl. Had Mysie been well, he could
have amused himself with her, for he found her ignorance interesting.
As it was, he felt injured, and indeed disgusted at the result of the
experiment.
On the third day the wind abated a little; but towards night it blew
hard again, and it was not until they reached the smooth waters of the
Scheldt that Mysie made her appearance on deck, looking dreadfully ill,
and altogether like a miserable, unhappy child. Her beauty was greatly
gone, and Lord Rothie did not pay her much attention.
Robert had as yet made no attempt to communicate with her, for there was
scarcely a chance of her concealing a letter from the baron. But as soon
as they were in smooth water, he wrote one, telling her in the simplest
language that the baron was a bad man, who had amused himself by making
many women fall in love with him, and then leaving them miserable: he
knew one of them himself.
Having finished his letter, he began to look abroad over the smooth
water, and the land smooth as the water. He saw tall poplars, the spires
of the forest, and rows of round-headed dumpy trees, like domes. And
he saw that all the buildings like churches, had either spires like
poplars, or low round domes like those other trees. The domes gave an
eastern aspect to the country. The spire of Antwerp cathedral especially
had the poplar for its model. The pinnacles which rose from the base of
each successive start of its narrowing height were just the clinging,
upright branches of the poplar--a lovely instance of Art following
Nature's suggestion.
CHAPTER XXIII. ROBERT FINDS A NEW INSTRUMENT.
Public-domain text, read in full here on John Shaqi.
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