Lady Georgina was of an old family--an aged family, indeed; so old, in
fact, that some envious people professed to think it decrepit with age.
This, however, may well be questioned if any argument bearing on the
point may be drawn from the person of Lady Georgina. She was at least as
tall as Mary St. John, and very handsome--only with somewhat masculine
features and expression. She had very sloping shoulders and a long
neck, which took its finest curves when she was talking to inferiors:
condescension was her forte. Of the admiration of the men, she had had
more than enough, although either they were afraid to go farther, or she
was hard to please.
She had never contemplated anything admirable long enough to comprehend
it; she had never looked up to man or woman with anything like
reverence; she saw too quickly and too keenly into the foibles of all
who came near her to care to look farther for their virtues. If she had
ever been humbled, and thence taught to look up, she might by this time
have been a grand woman, worthy of a great man's worship. She patronized
Miss St. John, considerably to her amusement, and nothing to her
indignation. Of course she could not understand her. She had a vague
notion of how she spent her time; and believing a certain amount of
fanaticism essential to religion, wondered how so sensible and ladylike
a person as Miss St. John could go in for it.
Meeting Falconer at Lady Janet's, she was taken with him. Possibly she
recognized in him a strength that would have made him her master, if he
had cared for such a distinction; but nothing she could say attracted
more than a passing attention on his part. Falconer was out of her
sphere, and her influences were powerless to reach him.
At length she began to have a glimmering of the relation of labour
between Miss St. John and him, and applied to the former for some
enlightenment. But Miss St. John was far from explicit, for she had no
desire for such assistance as Lady Georgina's. What motives next led her
to seek the interview I am now about to record, I cannot satisfactorily
explain, but I will hazard a conjecture or two, although I doubt if she
understood them thoroughly herself.
She was, if not blasée, at least ennuyée, and began to miss excitement,
and feel blindly about her for something to make life interesting. She
was gifted with far more capacity than had ever been exercised, and was
of a large enough nature to have grown sooner weary of trifles than most
women of her class. She might have been an artist, but she drew like a
young lady; she might have been a prophetess, and Byron was her greatest
poet. It is no wonder that she wanted something she had not got.
Public-domain text, read in full here on John Shaqi.
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