The dog, having shaken himself, began industriously to lick the hands
and face of his master; and the peasant, having obtained assistance,
conveyed the body to a neighboring house, where, the usual means
having been adopted, the gentleman was soon restored to sense and
recollection. Two large bruises with the marks of teeth appeared, one
on his shoulder, and the other on the nape of his neck; whence it was
presumed that the faithful animal had seized his master by the shoulder
and swam with him for some time, but that his sagacity had prompted
him to let go his hold and shift his grasp to the neck, by which means
he was enabled to support the head out of the water. It was in the
latter position that the peasant observed the dog making his way along
the dike, which it appeared he had done for the distance of nearly
a quarter of a mile, before he discovered a place at which it was
possible to drag his burden ashore. It is therefore probable that the
gentleman owed his life as much to the sagacity as to the fidelity of
his dog.
These stories will do for the present; but I must add, that the
celebrated Lord Byron had a Newfoundland dog, which he loved very much,
and when the animal died, he had a marble monument placed over his
grave, and the following words were inscribed upon it:--
Near this spot
Are deposited the Remains of one
Who possessed Beauty without Vanity,
Strength without Insolence,
Courage without Ferocity,
And all the Virtues of Man without his Vices.
This Praise, which would be unmeaning
Flattery
If inscribed over human ashes,
Is but a just tribute to the Memory of
BOATSWAIN, a dog,
Who was born at Newfoundland, May, 1803,
And died at Newstead Abbey, Nov. 18, 1808.
The Mysterious Artist.
One beautiful summer morning, about the year 1630, several youths of
Seville, in Spain, approached the dwelling of the celebrated painter
Murillo, where they arrived nearly at the same time. After the usual
salutations, they entered the studio or workshop of the artist. Murillo
was not yet there, and each of the pupils walked up quickly to his
easel to examine if the paint had dried, or perhaps to admire his work
of the previous evening.
“Pray, gentlemen,” exclaimed Isturitz angrily, “which of you remained
behind in the studio last night?”
“What an absurd question!” replied Cordova; “don’t you recollect that
we all came away together?”
“This is a foolish jest, gentlemen,” answered Isturitz. “Last evening I
cleaned my palette with the greatest care, and now it is as dirty as if
some one had used it all night.”
Public-domain text, read in full here on John Shaqi.
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