“The more fool she,” said the sparrow, smartly, “to be captivated with
such humdrum stuff. If you want to hear music, you must listen to the
catbird, who has been to foreign countries, and the macaws, that are
dressed so fine. They have introduced a new style of music, and it’s
all the fashion; and your lackadaisical songs are now out of vogue, and
none but the vulgar can bear them.”
“Very well, if it be so,” said the robin quietly. “I know my songs are
of a very humble kind, but they are still pleasing to me and mine; and
I doubt not that my simple melodies give more true pleasure than the
more fashionable of these foreign minstrels. One thing proves it, and
that is this: when any one of the birds sings our native woodnotes
wild, there is a silence all around, and every one has a look of
delight. But when one of the fashionable musicians is singing, though
the birds roll up their eyes and say, ‘exquisite!’ and ‘enchanting!’
and all that, they look all the time as if they were in the greatest
distress. It seems to me very silly for people to praise a thing they
dislike or do not understand, merely because it has come into fashion.”
The Mysterious Artist.
(_Continued._)
It was night, and the studio of Murillo, the most celebrated painter
in Seville--this studio, which, during the day, was so animated and
cheerful--was now silent as the grave. A single lamp burned upon
a marble table, and a young boy, whose sable hue harmonized with
the surrounding darkness, but whose eyes sparkled like diamonds at
midnight, leaned against an easel, immovable and still. He was so
deeply absorbed in his meditations that the door of the studio was
opened by one, who several times called him by name, and who, on
receiving no answer, approached and touched him. Sebastian raised his
eyes, which rested on a tall and handsome mulatto.
“Why do you come here, father?” said he, in a melancholy tone.
“To keep you company, Sebastian.”
“There is no need, father; I can watch alone.”
“But what if the Zombi should come?”
“I do not fear him,” replied the boy, with a pensive smile.
“He may carry you away, my son, and then the poor negro Gomez will have
no one to console him in his slavery.”
“Oh, how sad, how dreadful it is to be a slave!” exclaimed the boy,
weeping bitterly.
“It is the will of God,” replied the negro, with an air of resignation.
“God!” ejaculated Sebastian, as he raised his eyes to the dome of the
studio, through which the stars glittered--“God! I pray constantly to
him, father, (and I hope he will one day listen to me,) that we may no
longer be slaves. But go to bed, father; go, go; and I shall go to mine
there in that corner, and I shall soon fall asleep. Good night, father,
good night.”
“Are you really not afraid of the Zombi, Sebastian?”
“My father, that is a superstition of our country. Father Eugenio has
assured me that God does not permit supernatural beings to appear on
earth.”
Public-domain text, read in full here on John Shaqi.
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