Robert Merry's museum, Volumes III-IV (1842)Various
General
Robert Merry's museum, Volumes III-IV (1842)
Various
Children's literature -- Periodicals
The Mexicans had several dances, which they used on different
occasions; some of them were very graceful and pleasing. But the
grand dance, which was performed on all occasions of great national
festivity, was the most singular. They placed the musicians in the
centre; the aged nobles were in a circle around them, in single file;
by the side of these was placed another circle of the younger nobles,
and next others of lower rank. They then began to dance in a circle,
those near the centre very slowly, but those who were on the outside
very fast, because they were obliged to keep up with those within. The
music now struck up a livelier tune, the singing became more animated
and joyful, and the dancers whirled in a swifter round. The outermost
circle moved so rapidly that they hardly seemed to touch the ground.
Thus they continued, until they were exhausted by their efforts, when a
new set of dancers took their places. It is related that, while Cortez
was absent from the city after his first entry, the nobles of the
court, asked permission from Alverado, whom he had left in his place,
to amuse their captive monarch by performing before him with this
dance. This was granted. The nobles dressed themselves in the richest
ornaments and began the dance; but when they were thoroughly wearied by
the motion, the treacherous Spaniards, unable to resist their desire
for obtaining the costly jewels of the Mexicans, suddenly fell upon
them, and massacred them all. This barbarous act was the cause of the
subsequent misfortunes of the Spaniards; for the natives, driven to
fury by the loss of their beloved chiefs, rose upon their murderers,
and expelled them from the city, as we have before related.
Public-domain text, read in full here on John Shaqi.
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