Robert Merry's museum, Volumes III-IV (1842)Various
General
Robert Merry's museum, Volumes III-IV (1842)
Various
Children's literature -- Periodicals
The mechanical structure of the eye is very curious, but I shall not
describe it now. It is sufficient to say that light is the great
instrument by which vision is performed. This is supposed to consist
of innumerable particles, inconceivably small, which proceed in
straight lines from every part of luminous or shining bodies. These
fly with a velocity ten million times as swift as a cannon ball, for
they come from the sun to the earth in eight minutes!
These rays of light enter the ball of the eye at the pupil; and at the
bottom of a cavity in the ball, called the retina, a little picture is
painted of every object placed before the eye. It is this little
picture that enables us to see; and we see distinctly, or otherwise,
as this is clear or obscure. A very curious thing is, that this
picture paints everything reversed, that is, upside down. The reason
why we do not, therefore, see things upside down, is a matter that has
puzzled greater philosophers than Bob Merry.
Merry’s Adventures.
CHAPTER XXII.
The book shop in which I was now a clerk, was not like the present
Broadway establishments of Appleton, or Wiley & Putnam--a vast hall,
with almost endless successions of shelves, and these loaded with the
rich and varied volumes of the American and English press. No indeed!
it was a little shop in Pearl street, stocked with Webster’s Spelling
Books, Watts’s Psalms and Hymns, Young’s Night Thoughts, Webster’s
Third Part, the American Preceptor, and other works of a popular
kind, and designed for general use. There were no Rollo works--there
was no Peter Parley then!
Mr. Cooke was a very sharp man in trade. His whole soul was bent on
making money. He cared nothing for books, except for the profit he
made upon them. For a few days he left me to myself, but then he began
to try to make me as much interested in the business as he was. But
this was a vain attempt. My thoughts were always somewhere else, and
often when he spoke to me I did not hear him. I was constantly making
blunders. In casting accounts I got everything wrong; I credited Mr.
Lightfoot with books that should have been charged; I sent off to a
customer a lot of Peregrine Pickle, instead of Young’s Night Thoughts;
and at last, taking the inkstand for the sand-box, I dashed a puddle
of ink over the ledger!
Public-domain text, read in full here on John Shaqi.
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