Robert Tournay: A Romance of the French RevolutionSage, William
History
Robert Tournay: A Romance of the French Revolution
Sage, William
France -- History -- Revolution, 1789-1799 -- Fiction
Gaillard put the bottle to his lips and took a long draught of the
contents while Tappeur watched him anxiously. He then passed it over to
Petitsou, who treated it in a like manner. Tappeur received it in his
turn in thankful silence, and after having punished it severely, put it
down by his side. Gaillard helped himself to a piece of bread and a
sausage, and ate with good appetite, leaving his new companions to
finish the wine, to the evident satisfaction of those two worthies.
"You have a hard fist, my brave comrade!" exclaimed Tappeur, filling a
pipe as short and grimy as the thumb that pushed the tobacco down into
the bowl. "A hard fist and a free purse and Tappeur is your friend for
life." To give emphasis to his words he puffed a cloud of blue smoke up
into Gaillard's face, and drained the last few drops of wine in the
flagon.
"That's very good stuff," he continued, balancing the empty bottle upon
its nose, "but brandy would be more satisfying."
Gaillard refused to take the hint, and turned away to spread his cloak
in a corner of the cell, where he lay down upon it and was soon in a
deep sleep.
Week followed week, and Gaillard continued to live below the ground far
from the sunlight which he loved so dearly, while Tournay, confined in
the cell upon the second floor, wondered why he received no word from
the friend in the outside world.
Thus they lived within one hundred yards of each other, thinking of each
other daily, and with no means of communication. One thing Gaillard had
to be thankful for, and that was the sum of money the theatre manager
had paid him on the very night of his arrest. With it he had purchased
many comforts to make his life more bearable. He had procured a fresh
supply of straw and a warm blanket for his bed; some candles and a rough
chair upon which he took turns in sitting with the two jail-birds, his
companions, although at meals he always occupied it by tacit consent.
Under the influence of the additional food which Gaillard's purse
supplied, Tappeur grew fat and better natured, though he swore none the
less, and drank and smoked all that Gaillard would provide for him.
Indeed, he thought the actor a little niggardly in furnishing the
brandy, and one day, after a good meal, was inclined to be swaggering,
intimating that, with respect to drink, the rations should be increased.
Whereupon Gaillard cut off his potations entirely for twenty-four hours,
and he became as meek as a lamb and remained so ever after.
Both the bully and Petitsou would frequently regale Gaillard with long
accounts of their past crimes. During the recitals, Tappeur, although
always boastful on his own account, showed a certain deference to the
forger.
"I can cut a throat or rob a purse with the best blackguard in France,"
he would say to the actor, "but that little Petitsou is the true
artist."
Public-domain text, read in full here on John Shaqi.
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