This chapel (says Hemingway) was erected in 1811; it is a large,
well-built, handsome structure, with a semicircular front, and two
entrances. It is galleried on three sides, and behind the pulpit is a
large orchestra for the accommodation of singers, where there is also a
well-toned organ. The introduction of Methodism into this city occurred
about the year 1750, and the first preacher who visited the neighbourhood
was a Mr. John Bennett. He commenced his labours at Huntington Hall, in
the neighbourhood, the residence of Mr. George Cotton; from thence the
preaching was removed to the house of Mr. Richard Jones, in Love-lane,
within the city, where a society was first formed; the house soon became
too small for them, the society therefore procured and fitted up a
capacious barn in Martin’s Ash, from which time they were regularly
supplied with travelling preachers, and where the Rev. John Wesley
frequently visited them, in his annual excursions. After remaining in
Martin’s Ash for about twelve years, they had sufficient credit to obtain
£520 upon bond, with which they erected, in 1765, the Octagon Chapel in
Foregate-street, which they continued to occupy until their removal to
St. John-street. The Wesleyans have also built commodious schoolrooms,
which are very numerously attended. The resident ministers are the Rev.
T. Brooks and the Rev. J. E. Cooke.
[Picture: Independent Chapel & Lecture Rooms, Queen Street, Chester]
WESLEYAN METHODIST CHAPEL.
(NEW CONNEXION.)
The New Connexion Methodists seceded from the old society on some points
respecting the management of the funds, throwing open their financial
matters to the knowledge and supervision of the people, and the general
government of their societies. They have a large place of worship in
Pepper-street, which is fronted with stone, and supported by four
Corinthian pillars. The ministers are itinerant, and receive their
appointment from the annual conference.
THE OCTAGON CHAPEL
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account