The dining-room is well proportioned, being 50 feet by 37 feet. The
simplicity of its design is not owing to any deficiency of ornament; on
the contrary, its several enrichments are gorgeous; but in comparison
with the other state apartments, which are profusely decorated, it is
characterized by a simplicity peculiarly elegant. Springing from the
corners of the room, four ribs extend their ramified tracery over the
ceiling, in the centre of which their borders of wreathed foliage unite,
and thence from a richly carved boss is suspended a large and noble
chandelier. The sideboard stands in an arched and highly enriched
recess, and placed at each end of the room are two canopied niches,
containing statues by _Westmacott_. At the lower end are those of Sir
Robert le Grosvenor, who distinguished himself in the crusades, and of
Mary, Lady Grosvenor at the time of the Revolution. Those at the upper
end of the room represent Sir Gilbert le Grosvenor, who came over from
France at the time of the Norman invasion, with his uncle, Hugh Lupus,
and Joan or Jane Lady Grosvenor, heiress of Eaton in the reign of Edward
the Fourth. The room contains full-length portraits of the late Marquis
and Marchioness of Westminster, by _Jackson_, _R.A._; Abigail meeting
David, by _Rubens_; and the Judgment of Paris, after Rubens, by _Peters_.
The walls of the dining-room are richly ornamented.
The ante-drawing-room is very elegant; its decorations, in the
Alhambresque style, are peculiarly rich. It contains three most
beautiful bookcases, chaste in design and exquisitely finished.
Public-domain text, read in full here on John Shaqi.
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