Robespierre : $b the story of Victorien Sardou's play adapted and novelized under his authoritySardou, Victorien
General
Robespierre : $b the story of Victorien Sardou's play adapted and novelized under his authority
Sardou, Victorien
Robespierre, Maximilien, 1758-1794 -- Fiction
The two women glanced in spite of themselves at the neighbouring
courtyard, whence came a noise of wheels and the tramp of horses.
They stooped, and saw through the large grating the cart with its
load of the condemned roll away by the light of torches held by the
turnkeys, and driven by a coachman in a carmagnole and red bonnet.
As the vehicle was disappearing the two women recognised Madame de
Narbonne in tears, sending kisses to the prison, in which her little
girl had now wept herself to sleep.
"Oh! it is horrible!" said Thérèse.
And she fell on Clarisse's shoulder, thoroughly broken by the
terrible emotions of the day.
At this moment the cart reached the street, and passed close to
Olivier, who commenced mechanically to follow it, while the people of
the quarter, seated at their doors, and accustomed to this daily
spectacle, looked on with indifference. But at a bend in the road
Olivier let the cart go out of sight, lost in reflection. He walked
straight on as a man in a dream, stopping on the quay to look down at
the Seine. The cooling freshness of the water seemed to revive him.
He breathed the air gratefully, and continued his walk along the
river, feeling less depressed.
Suddenly from the heights of Port-Royal his eyes were dazzled by a
rush of unusual light. Showers of golden fire trailed in the air
over the Tuileries gardens. It was a trial of the fireworks to be
let off the next day. Olivier crossed the bridge, and hastening his
steps reached the Place de la Révolution, which at that hour was
filled with loungers from the boulevards, curious to see the
preparations for the _fête_. Under a sky studded with stars, the
immense space lay extended before him, with its stands already decked
with flowers; its masts connected by garlands of foliage and coloured
glass; its flags, and plumes, and banners floating in the wind.
Here and there fiddlers, standing on chairs, taught to choirs of
young girls and young men the new anthem by Gossec, to be sung at the
_fête_, a hymn to the Supreme Being, composed specially for the
occasion. Some, carried away by their enthusiasm, followed up the
hymn with a waltz or a gavotte.
Olivier opened his eyes in astonishment, asking himself if all this
was real, or if he was in an extravagant dream. On one side he saw
but sorrow, on the other only joy! On one side, tears, despair, and
the scaffold; on the other, laughter, revelry, and flowers! And the
laughter and flowers were to honour and glorify the very one who was
the cause of all this misery, who tore children relentlessly from the
arms of their mothers as he sent them to death!
At this very moment the abhorred name fell on his ears: "Robespierre!
... There's Robespierre!" he heard the crowd whispering.
Public-domain text, read in full here on John Shaqi.
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