Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
General
Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
Ballads, English -- England -- Texts; Outlaws -- Poetry; Robin Hood (Legendary character) -- Poetry; Songs, English -- England -- Texts
[56] 1st edit. 1550, fo. xxvi. b. (Randolf is misprinted Rand
of.) Subsequent editions, even of the same year, reading only
“Randall of Chester.” Mr. Warton (History of English Poetry, ii.
179) makes this genius, whom he calls a frier, say “that he is
well acquainted with the rimes of Randall of Chester;” and these
rimes he, whimsically enough, conjectures to be the old Chester
Whitsun plays; which, upon very idle and nonsensical evidence,
he supposes to have been written by Randal Higden, the compiler
of the Polychronicon. Of course, if this absurd idea were at all
well founded, the rimes of Robin Hood must likewise allude to
certain Yorkshire or Nottinghamshire plays, written by himself.
The “Randolf erl of Chester” here meant is Randal Blundevile, the
last earl of that name, who had been in the Holy Land, was a great
warrior and patriot, and died in 1231.
The reading of the original edition is confirmed by a very old
manuscript in the Cotton Library (Vespasian, B. XVI.) differing
considerably from the printed copies, which gives the passage thus:
“I can nouzt perfiitli my pater-noster as a prest it syngeth:
I can rymes of Robyn Hood, of Rondolf erl of Chestre,
Ac of oure lorde ne of oure ladi the leste that ever was maked.”
(See also Caligula, A. XI.)
The speaker himself could have told Mr. Warton he was no frier:
“I have ben prieste & person passynge thyrty winter,
Yet can I nether solfe, ne singe, ne sayntes lyves read;
But I can find in a fielde or in a furlong an hare,
Better than in Beatus vir or in Beati omnes
Construe one clause well, & kenne it to my parishens.”
[57] “De quibus stolidum wigus hianter in comœdiis & tragædiis
prurienter festum faciunt, & super ceteras ‘romancias mimos &
bardanos cantitare delectantur” (Scotichronicon, à Hearne, p. 774).
Comedies and tragedies are—not dramatic compositions, but—poems of
a comic or serious cast. Romance in Spanish, and romance in French,
signify—not a tale of chivalry, but—a vulgar ballad, at this day.
[58] “Rebus hujus Roberti gestis tota Britannia in cantibus utitur”
(Majoris Britanniæ Historia, Edin. 1740, p. 128).
[59] Hystory of Scotland, Edin. 1541, fo. The word “waithman” was
probably suggested by Andrew of Wyntown (see before, Note 3).
It seems equivalent to the English vagabond, or perhaps outlaw.
Waith is waif; and it is to be remembered that, in the technical
language of the English courts, a woman is said to be waived, and
not outlawed. “In our auld Scottish langage,” says Skene, “ane
_Vothman_ is ane out-law, or ane fugitive fra the lawes” (_De
verborum significatione_, Edin. 1597). It is from þæðan, _venari_,
_fugare_. See Lye’s Dictionary. The passage above quoted does not
occur in Boise’s original work.
Public-domain text, read in full here on John Shaqi.
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