Robin Tremayne: A Story of the Marian PersecutionHolt, Emily Sarah
History
Robin Tremayne: A Story of the Marian Persecution
Holt, Emily Sarah
Great Britain -- Church history -- 16th century -- Fiction; Historical fiction
The progress of the Retrogression--for such it may be fairly termed--was
swifter than that of the Reformation had been. "Facilis descensus
Averni,"--this is the usual course. High mass was restored in Saint
Paul's Cathedral, and in very few London churches were Gospel sermons
yet preached. With bitter irony, liberty was granted to Bishop Ridley--
to hear mass in the Tower Chapel. Liberty to commit idolatry was not
likely to be used by Nicholas Ridley. The French Protestants were
driven out, except a few named by the Ambassador; Cranmer, Latimer,
Hooper, Coverdale, were cited before the Council; and on the 28th of
September, the Queen came to the Tower, in readiness for her coronation.
At one o'clock on the 30th, the royal procession set forth, fitly
preceded by a crowd of knights, doctors, bishops, and peers. After them
rode the Council; and then the new Knights of the Bath, to create whom
it had been the custom, the day previous to the coronation. The seal
and mace were carried next, between the Lord Chancellor (Bishop
Gardiner) and the Lord Treasurer, William Paulet, Marquis of Winchester.
The old Duke of Norfolk followed, with Lord Arundel on his right, and
Lord Oxford on his left, bearing the swords of state. Sir Edward
Hastings, on foot, led the Queen's horse. She sat in a chariot of
tissue, trapped with red velvet, and drawn by six horses. Mary was
dressed in blue velvet, bordered with ermine, and on her head she
carried not only a caul of tinsel set with gold and stones, but also a
garland of goldsmith's work, so massive that she was observed to "bear
up her head with her hands." She was subject to violent headaches, and
in all probability was suffering from one now. A canopy was borne over
her chariot. In the second chariot, which was "all white, and six
horses trapped with the same," sat the heiress presumptive of England,
the Princess Elizabeth, "with her face forward, and the Lady Anne of
Cleve, with her back forward:" both ladies were attired in crimson
velvet. Then came "four ladies of estate riding upon horses"--the
eccentric old Duchess of Norfolk; the Marchioness of Winchester;
Gertrude, the long-tried Marchioness of Exeter; and Mary Countess of
Arundel, niece of Lady Lisle. Both riders and horses were apparelled in
crimson velvet. The third chariot, covered with cloth of gold, and the
horses similarly caparisoned, while the peeresses within were clad in
crimson velvet--two ladies on horseback, in crimson velvet--the fourth
and fifth chariots, and more ladies on horseback, to the total number of
forty-six, and all in crimson velvet--these followed one another in due
course. Last came the Queen's women, riding upon horses trapped in
crimson satin, and attired in the same material. Among them, the third
of the eight maids of honour, looked out the sweet face of Anne Basset,
gentlest of "her Highness' women." [Note 2.]
Public-domain text, read in full here on John Shaqi.
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