Rock-climbing in the English Lake District: Third EditionJones, Owen Glynne
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Rock-climbing in the English Lake District: Third Edition
Jones, Owen Glynne
Lake District (England) -- Description and travel; Mountaineering; Rock climbing -- England -- Lake District
One fine winter morning a year or so ago we had a large party
at Wastdale, and for once in a way were all of the same mind as
to our day’s plans. The walk up towards the Styhead Pass--the
Schweinhauskopfjoch of the Swiss travellers among us--would just suit
our conversationally-minded fraternity, to whom Brown Tongue or the
Pillar Fell or the Gable-end offered gradients too steep for words. We
sallied forth from the inn with many axes and great lengths of rope,
and lazily worked our way along the valley. The lower path, entirely
obliterated by the snow, took us across the stream to the right on to
the low slopes of Lingmell. Piers Ghyll stream was crossed without
notice, for here the gorge is not at all in evidence and requires
closer examination to reveal its magnificence. Then, rising a few feet,
we crossed the hollow of Grainy Ghyll and made towards Spout Head and
Skew Ghyll. The snow gave us some glorious effects on the hills around.
The Mosedale amphitheatre of noble mountains towered above Wastdale,
and mutely questioned us as to the accuracy of the surveyors who could
give them not even three thousand feet of elevation above us. Nowadays
theodolites are taken to the mountains and misused with great effect;
why should not the Pillar and Red Pike benefit similarly to the extent
of a thousand feet or so? There above us on our left was Great Gable,
a White pyramid cutting into a dark sky, at least ten thousand feet
of mountain beauty between us and its snowy crest. Who could believe
that the summit was only 2,900 feet above sea level? But the engineer
among us calmly reminded me of an interesting aneroid observation I had
once taken of the top of Moss Ghyll on Scawfell, making it a hundred
feet higher than Scawfell itself. Was I to rank myself as a truthful
scientist and be contented with the ordnance survey records, or as
an artist who should represent heights, shapes, and colours as his
imperfect senses make them? We closed the discussion in favour of the
artist and then sloped (without slang) up to Skew Ghyll.
Public-domain text, read in full here on John Shaqi.
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