“In all Miss Blanchard’s roses you may be sure there is a moral,” he had
said. “You can see it sticking out its head, and, if you go to smell the
flower, it scratches your nose.” But on this occasion she had come
with a propitiatory gift--introducing her friend Mr. Leavenworth. Mr.
Leavenworth was a tall, expansive, bland gentleman, with a carefully
brushed whisker and a spacious, fair, well-favored face, which seemed,
somehow, to have more room in it than was occupied by a smile of
superior benevolence, so that (with his smooth, white forehead) it bore
a certain resemblance to a large parlor with a very florid carpet, but
no pictures on the walls. He held his head high, talked sonorously, and
told Roderick, within five minutes, that he was a widower, traveling
to distract his mind, and that he had lately retired from the
proprietorship of large mines of borax in Pennsylvania. Roderick
supposed at first that, in his character of depressed widower, he had
come to order a tombstone; but observing then the extreme blandness
of his address to Miss Blanchard, he credited him with a judicious
prevision that by the time the tombstone was completed, a monument
of his inconsolability might have become an anachronism. But Mr.
Leavenworth was disposed to order something.
“You will find me eager to patronize our indigenous talent,” he said. “I
am putting up a little shanty in my native town, and I propose to make
a rather nice thing of it. It has been the will of Heaven to plunge me
into mourning; but art has consolations! In a tasteful home, surrounded
by the memorials of my wanderings, I hope to take more cheerful views.
I ordered in Paris the complete appurtenances of a dining-room. Do you
think you could do something for my library? It is to be filled
with well-selected authors, and I think a pure white image in this
style,”--pointing to one of Roderick’s statues,--“standing out against
the morocco and gilt, would have a noble effect. The subject I have
already fixed upon. I desire an allegorical representation of Culture.
Do you think, now,” asked Mr. Leavenworth, encouragingly, “you could
rise to the conception?”
“A most interesting subject for a truly serious mind,” remarked Miss
Blanchard.
Roderick looked at her a moment, and then--“The simplest thing I
could do,” he said, “would be to make a full-length portrait of Miss
Blanchard. I could give her a scroll in her hand, and that would do for
the allegory.”
Miss Blanchard colored; the compliment might be ironical; and there
was ever afterwards a reflection of her uncertainty in her opinion of
Roderick’s genius. Mr. Leavenworth responded that with all deference to
Miss Blanchard’s beauty, he desired something colder, more monumental,
more impersonal. “If I were to be the happy possessor of a likeness of
Miss Blanchard,” he added, “I should prefer to have it in no factitious
disguise!”
Public-domain text, read in full here on John Shaqi.
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