Roderick pressed his hand to his forehead with vehemence and then shook
it in the air, despairingly; a gesture that had become frequent with him
since he had been in Italy. “No, no, it ‘s no use; you don’t understand
me! But I don’t blame you. You can’t!”
“You think it will help you, then?” said Rowland, wondering.
“I think that when you expect a man to produce beautiful and wonderful
works of art, you ought to allow him a certain freedom of action, you
ought to give him a long rope, you ought to let him follow his fancy and
look for his material wherever he thinks he may find it! A mother can’t
nurse her child unless she follows a certain diet; an artist can’t bring
his visions to maturity unless he has a certain experience. You
demand of us to be imaginative, and you deny us that which feeds the
imagination. In labor we must be as passionate as the inspired sibyl; in
life we must be mere machines. It won’t do. When you have got an artist
to deal with, you must take him as he is, good and bad together. I don’t
say they are pleasant fellows to know or easy fellows to live with; I
don’t say they satisfy themselves any better than other people. I only
say that if you want them to produce, you must let them conceive. If
you want a bird to sing, you must not cover up its cage. Shoot them, the
poor devils, drown them, exterminate them, if you will, in the interest
of public morality; it may be morality would gain--I dare say it would!
But if you suffer them to live, let them live on their own terms and
according to their own inexorable needs!”
Rowland burst out laughing. “I have no wish whatever either to shoot you
or to drown you!” he said. “Why launch such a tirade against a warning
offered you altogether in the interest of your freest development?
Do you really mean that you have an inexorable need of embarking on a
flirtation with Miss Light?--a flirtation as to the felicity of which
there may be differences of opinion, but which cannot at best, under the
circumstances, be called innocent. Your last summer’s adventures were
more so! As for the terms on which you are to live, I had an idea you
had arranged them otherwise!”
“I have arranged nothing--thank God! I don’t pretend to arrange. I
am young and ardent and inquisitive, and I admire Miss Light. That ‘s
enough. I shall go as far as admiration leads me. I am not afraid. Your
genuine artist may be sometimes half a madman, but he ‘s not a coward!”
“Suppose that in your speculation you should come to grief, not only
sentimentally but artistically?”
“Come what come will! If I ‘m to fizzle out, the sooner I know it the
better. Sometimes I half suspect it. But let me at least go out and
reconnoitre for the enemy, and not sit here waiting for him, cudgeling
my brains for ideas that won’t come!”
Public-domain text, read in full here on John Shaqi.
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